Em direção à Ítaca
Yoshiro Ishihara (1915–1977), who burst upon the scene of Japanese modern poetry in the mid-1950s, is now remembered as a “poet of silence.” He said, “A poem is an impulse to resist writing.” This film is an attempt to seek out the landscape from his poem.
‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.
A short film inspired by the poetry of Billy Collins.
Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.
This film visualizes humanity’s quest to relentlessly pursue goals. In the human fight for progress, the march forward cannot be stopped, even when individual people become weary and die. This animated short is based on a poem by the Chilean filmmaker and poet Juan Forch. Chilean painter Hernando León created the design.
A young man opens the window of his attic room and discovers a lunar landscape which submerges him and threatens to imprison him in an eternal sheet of ice. He closes the window to escape this vision and hears from deep inside his soul the sound of a poem being sung.
An animated poem about the fleeting nature of happiness.
Using simple, illuminative paper-cut puppetry, this enchanting video imagines the moment of witness that inspired Gwendolyn Brooks to write her landmark poem, “We Real Cool.”
Poems by some of the greatest writers of all time are brought to life through lyrical animation and readings by some of today’s most respected performers.
This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.
In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.
In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.
Giovanni currently lives a dreary life of near non-stop work. At school, his peers ridicule him incessantly, and his employer at work is distant and cold. As his isolation from society becomes unbearable, he suddenly finds himself on a train heading far away from his miserable home. Accompanied by Campanella, an acquaintance from school, Giovanni embarks on a journey that will define the rest of his life.
A kinetic typography animation set to a reading of the poem "The Wings" by Sebastian Fox.
A little boy troubled by a paper bird - Quote : "I am alone in my gondola, I am trapped in the sky, My name's Nathan, I don't like the real"
Musicians inspired by the Moon. Since the Apollo landings, the Moon has entered popular consciousness like never before. A journey through pop music's lunar obsession.
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
Keny-atta
A young dromedary attends its first conference. Its happiness is going to turn into deep disappointment.