Stones in Cold Water

Cartas de Arapuca

Dmytro Komarov's documentary project The Year. Kharkiv Region. Dmytro Komarov will show Kharkiv in the first months of the full-scale invasion of Ukraine by Russian troops. Viewers will hear the stories of people who found themselves in the epicentre of the brutal attacks: at the air defence base destroyed by a Russian missile, in the residential area of the city - Northern Saltivka - which was ravaged by shelling. The journalist will talk to those who played a key role in the liberation of the Kharkiv region. One of these people is Roman Hryshchuk, the commander of the 127th separate territorial defence brigade of Ukraine. He told us how the military practice of the past - using decoys in the form of dummies - helped to identify and destroy the occupiers. How did the full-scale war begin for Kharkiv? What plans did the enemy have for Kharkiv? What united people and gave them hope in the most difficult times? Find out in the documentary project "Year. Kharkiv Region".

This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.

Reality in Ukraine was divided into two periods - before the war and after. Every citizen tries to be useful in this national resistance. Ukrainians change their professions and adapt to the needs of wartime. In art workshops, sculptors make anti-tank obstacles. Silent figures of Ukrainian figures, angels, Cossacks and multiple copies of Jesus Christ, like a terracotta army, froze in anticipation of new creations. Masters weld metal defenses for the Armed Forces of Ukraine.

A musical portrait of the ethnic minorities of the Crimean peninsula, it explores the sonic diversity from this unique land.

The war documentary Rivilotta (1943), directed by Turo Karto, was filmed in the winter of 1941-42. The film, produced by the Finnish Defence Forces, presents the goals of the Lotta Svärd organization and the different aspects of the Lotta Svärd's work.

A shot-on-video look at three impoverished Black communities in rural Georgia in 1976 - America's bicentennial, interspersing photos with footage and voices of those in their communities.

"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

Eligibility is a film made by Ryan Cunningham. In this film, they discuss the question, "Why do I have to prove myself?" Through 80 minutes of documentary, archival, and narrative formats, Ryan explores this topic. Made within a week of 2025 and with a couple of all-nighters, this is proof of Eligibility. Anything can be a movie, so why not make one?

A profile of Putin, exploring his complicated relationship with Ukraine. Why does this neighbouring nation threaten his power and identity?

The War on Disco explores the culture war that erupted over the spectacular rise of disco music. Originating in underground Black and gay clubs, disco had unseated rock as America’s most popular music by the late 1970s. But many diehard rock fans viewed disco, with its repetitive beat and culture that emphasized pleasure, as shallow and superficial. A story that’s about much more than music, The War on Disco explores how the powerful anti-disco backlash revealed a cultural divide that to some seemed to be driven by racism and homophobia. The hostility came to a head on July 12, 1979, when a riot broke out at “Disco Demolition Night” during a baseball game in Chicago.

The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.

At the Myrtle-Wyckoff intersection, transportation arteries and the community overlap and interact, connect and collide, react and respond. Where are people going? Where are they coming from? And, what lies underneath all of the activity?

Using unpublished photos taken by Italian war photographer Enrico Sarsini, and the reconstruction of key events, this film examines the battle for a strategically-located church that was defended by Azerbaijani teenager Natig Gasimov. After his surrender and interrogation by Armenian forces, he was never heard of again. This film finds out what happened to Natig and who may be responsible. Filmed over a period of three years, filmmaker Karan Singh spoke to witnesses in Armenia, Azerbaijan, Italy and Russia in his search for the truth.

A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.

Otelinda and Lutoy, married for almost 50 years, are reminded of the moments of greatest tension they experienced, in the Angolan civil war, when confronted with the images on the news about the war in Ukraine. Narrated by Otelinda, her story, we learn her story from the 25th of April, until the day she waited alone for her husband on the verge of misfortune, in Cabinda. Her narration is accompanied by the contrasting images of their daily lives in 2023, as well as the landscapes and people of the country where they now reside. Their relationship initially appears distant, but becomes closer towards the end of the narrative, through the memories of everything they suffered together.

As filmmaker Maria Carolina Telles comes to terms with the death of her father, a man who regretted never making it to the frontlines of World War II, she focuses her lens on the life of another man who had his own unique experience as a civilian in the midst of combat: award-winning war photographer André Liohn.

A fast-paced suspense thriller and feature documentary about the sudden rise of ecstasy in Europe to epidemic levels after the disintegration of the Soviet Union.

In the polyphony of voices, a search for home unfolds. What is home? What is its purpose? Is there anything bigger than home? What are the sounds, colours, and smells that let it live in our memory? The collective and the individual is expressed through the voices of those who lost it in the Russian war in Ukraine. Associations, memories, meanings: four letters, four hundred things between them — home.