The Khe Sanh Peace Garden

An experimental short film and proof of concept focusing on imperialism through the lens of the Americans and French on Vietnam throughout the 20th century. The first installment in a series of numerous visual brain-dumps that touch on the complexities and atrocities of human interaction.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

From bombers to jet fighters, the United States relied heavily on its powerful air force during the Vietnam War. Through amazing archival footage, this program explores the types of U.S. aircraft used in combat and the impact they had on the war. Because the Vietnam War was the most-filmed war in history, there's plenty of excellent footage allowing viewers to experience dangerous missions almost firsthand.

The remarkable story of The Weather Underground, radical activists of the 1970s, and of radical politics at its best and most disastrous.

Shipyard is a landmark documentary covering the creation and life of Bellingham, Washington's wooden boat shipyard, which was built in response to the Axis threat of WWII, it's continued growth through the '50's and '60's, as well as it's innovative role in the development and production of fiberglass boats, including patrol riverboats for the Vietnam war.

Using obscure archival footage, animated illustrations and interviews, this film tells the story of the Vietnam War from the perspective of five Vietcong veterans: a soldier, an officer, an informant, a guerilla, a My Lai survivor, and the leader of the Long Hair army.

We follow the story of The Thinker bombing at the Cleveland Museum of Art, trying to solve the mystery behind it because no one was ever caught. By following this case, we unravel the whole landscape of Cleveland and the USA in the 60s/70s - student protests, social justice movements, anti-war movements, and radical militant groups. We give a context to the bombing, which is symbolic on so many levels - it's an art piece that randomly became a target for political violence that, by being left unrepaired, became a reminder of the complicated history of the 60s/70s. The Thinker is a silent witness to this fascinating decade, looking down from his pedestal, still thinking about our place in the world as humans.

Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.

In April 1975 -- despite a ceasefire agreement -- the North Vietnamese communists took Saigon and the world by surprise, mounting an offensive that ousted the South Vietnamese government. This enlightening documentary recounts the last two years of America's military engagement in the country and the U.S. role in Saigon's fall. Interviews with former National Security Adviser Henry Kissinger and North Vietnamese officers provide context.

A two-year investigation uncovers a scandal behind the making of one of the most recognized photographs of the 20th century. Five decades of secrets are unraveled in the search for justice for a man known only as "the stringer."

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

The production is a poetic impression, its tone is mournful. The film shows the landscape of Vietnam two years after the end of the war. There is no commentary in the production, the image is accompanied by Mozart's composition.

This is the true story of 627 brave American young women who brought hospitality and gratitude to soldiers serving in the Vietnam War.

Short propaganda film produced by the U.S. government about the Vietnam War, narrated by actor Charlton Heston. The movie includes scenes of battle that have been identified as staged and shouldn't be interpreted as an accurate depiction of fighting during the Vietnam War. For more on the accuracy of the footage in this film see the book "The Cold War and the United States Information Agency: American Propaganda and Diplomacy, 1945-1989" by Nicholas J. Cull (pages 248-49). This film was produced by the U.S. Information Agency (USIA) and is in the public domain. National Archives Identifier: 1182760 Local Identifier: 306.5798 Accession Number: NC3-306-77-7 ARC Identifier: 1182760 https://catalog.archives.gov/id/1182760

Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

A Captivating collection of documentaries examining how this unique jungle war differed from others. Follow our troops as they face a determined enemy in the jungles and rice patties of Vietnam. Experience the American military's troubles and victories as they tried to win the hearts and minds of the Vietnamese people.

Both sober and sobering, producer-director Emile de Antonio’s In the Year of the Pig is a powerful and, no doubt for many, controversial documentary about the Vietnam War.

A documentary feature by Pierre Schoendoerffer about the Vietnam War. Winner of the 1968 Academy Award for best Documentary Feature.

An airman suffers when he doesn't heed the precautions of the Department of Defense.

The Vietnam War protest movement from the student point of view is the basis for this documentary shot in the San Francisco Bay area and dealing mainly with a protest march from the University of California to the Oakland Army Terminal in 1966.