A Roman Cowboy

After losing her job as a waitress, Mary Ryan is hired to work in a traveling show's chorus line by theatrical agent Leon O'Day and his partner. The agents convince a young, wealthy socialite named Seymour to finance a brand-new show. To secure the gig and the funding, they lie to Seymour and tell him that Mary is actually a Russian princess in hiding. The deception completely charms Seymour, and Mary gets her contract. Her fabricated royal status takes off when Seymour's mother invites Mary to tea, catapulting her to society stardom. However, the lie threatens to unravel when Mrs. Seymour—an avid social reformer—takes Mary and Seymour to a night court, where Mary's missing sister Rose is brought in under arrest. When Mary claims her sister, the truth is exposed, leading to a series of complications and dramatic resolutions.

This ceremony requires greenbacks but the groom came up short.

Moran, blind to ambition, has been a long-time friend of the widow Casey. In his own way Moran likes the widow, but his strongest affection is for her young son. The boy, in turn, loves the man's friendship and the knife the man has given him. The time comes when the widow and Moran fight.

Identical orphaned twins Rosalie (Mollie King) and Susan (Mollie King), are adopted by two aunts and live in separate households. Susan develops as a poor, wholesome farm girl, and Rosalie becomes a wealthy snob. Susan's beau, Ted Harper (Creighton Hale), confuses the girls' identities, but Susan wins his love after preventing Rosalie from eloping with scoundrel "Slick" Harry Ives (Jerome Lawler).

Jim Blake, the playboy son of a New York millionaire, heads west to prove himself a man. He goes to work on his father's ranch in Wyoming, and eventually wins over the locals by turning the tables on a town bully and trying to collect damages from a railroad magnate, whose trains have killed many of the Blake ranch's cattle. When the railroad refuses to pay, Jim comes up with a plan that will make them pay far more than they originally had to. Problems arise when he falls in love with Alice, the railroad magnate's daughter.

Heiress Mary Anderson feigns poverty during her romance with struggling artist Bruce Haldeman, however her status-conscious mother puts an end to the affair. Mary secretly goes to Bruce's studio, misconstrues the situation with one of his models and tells Bruce she hates him. Upset Bruce wants to destroy his portrait of Mary, but the model stops him, enters the painting in an art contest, and explains the mix-up to Mary's father. Mr. Anderson then meets with Bruce and Mary's persistent suitor Smythe Addison pretending he has lost his fortune. Smythe quickly drops out of contention for Mary's hand, but Bruce remains eager. Resolving their differences Bruce finds out during the planning of the wedding that he has won the art contest, finding overnight fame as a painter.

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

A man traveling home for Christmas gets stuck in a small town and finds romance with a woman operating the telegraph.

Trying to trick Ma (Lydia Knott) and Mary Winters (Allene Ray) into selling their rundown ranch, which will be in the path of a future railroad, Underwood (Charles K.French) hires Keno Creager (Albert Smith) to impersonate Jimmy Winters, not seen by his mother and sister for many years.

Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.

Betty Brown is an egregious coquette and flirt. She fools a pair of lovers, and her indecision lands her in a pretty mess at a Hartford hotel, where she is cajoled into passing herself off as the wife of a man whose real wife is on her way to meet him. Betty just butts into a sea of trouble, for the man and his wife are to receive some money from the former's uncle on condition that the wife meets with his approval. The general mix-up at the hotel caused by the meeting there of all these opposing interests is the cause of a great deal of fun and confusion, the central figure of which is always Little Miss Betty Brown.

Young marrieds Paul, the Viscount De Sallure, and his bride Florence are in financial straits. Florence’s inheritance is available to her only if she separates from her husband so the pair concoct a scheme to give that appearance. Problems emerage when Paul seems to be taken the ploy to heart with Mlle. Fifi but all turns out well in the end.

Two couples with mismatched mates find new romance blooming in the Bavarian countryside.

Perpetua is a rich little orphan with a kind but absent-minded dreamer of a guardian, Thaddeus, who is very much older than herself. Perpetua wants to live in Thaddeus's house but instead is sent to her eccentric animal loving Aunt's, Miss Majerdie. Unhappy Perpetua runs away to Thaddeus’s. He endures her for a time and finally ships her back to his Aunt Majerdie's. Pursued by several suitors whose ardor cools when the rumor goes round that she is penniless. Her wealth having intimidated him before Thaddeus steps in now and declares his love for her.

A damsel-in-distress Western melodrama and a stirring picture of railroad construction and the mining country, with a Snidely Whiplash villain performing dastardly deeds, a spunky and gritty Polly Pureheart heroine and a brave Handsome Harry hero...and filled with action, romance, adventure, bravery...and perils.

Quota quickie comic short from Britain that is now lost.

Billy takes his friend Tom out for a drive in his new car. Tom asks Billy to wait while he makes a purchase. Along comes the beautiful Marian who assumes he is a public chauffeur and hires him. Billy goes along with the misunderstanding and tells Marian that she may always have his car at cut rates if she phones him at the garage. This leads to comic adventures and eventual love for the couple.

Cobbler’s daughter May has beautiful, long blond hair. Her fiancée Billy, her father's youthful apprentice, loves both May and her hair. But Billy has a weakness for long hair and is ensnared by Madge, who wears an elaborate wig. Billy wants May to fix her hair as prettily as Madge does, but when Madge’s hairdresser demands payment for the wigs she refuses because the hairdresser has turned her hair green. The case lands in court with Billy summoned to serve on the jury. When Madge pulls off her wig Billy runs back to May ready and willing to eat his humble pie.

Two pals enlist in the army during World War I. Just before they complete training camp and are to be sent overseas, they're scheduled to marry their girlfriends. However, they get in trouble and wind up in the guardhouse. Their girlfriends are determined to get married, however, and in order to accomplish this, they disguise themselves as soldiers and sneak onto the base, where they unwittingly get mixed up with enemy spies trying to gather information.

Babs Marvin loves David Darrow, a young lawyer. Babs' father, the powerful Senator Marvin, is supporting Eben Sprague for a seat in the State Legislature. Darrow discovers that Sprague is a crook and threatens to expose the candidate unless the senator agrees to switch his support to him. Babs opposes Darrow's decision, fearing that it will ruin his promising law career. Determined to defeat Darrow, she promotes the candidacy of the village pauper, Hank Dawes, and contrives an elaborate campaign based upon the slogan that Dawes' election would remove him from the welfare rolls. Dawes wins the election, but Darrow is consoled with Babs's love and the senator's support of his law career.