The Rival Stage Lines

For Nita Valyez, who is half-Spanish and half-Irish, Carlos represents potential violence and danger, two things to which she is both attracted and repelled. In contrast, she has only a passing interest in Big Jim, the town's honest, good-hearted sheriff. Then, after Carlos kills a faro dealer, he forces Nita to make an escape with him.

While in Europe, Chaddie Green, a society girl, discovers that she has been left penniless. She returns to the United States and meets Duncan MacKail, who is equally broke though he owns grainland in the West. Duncan and Chaddie are married and go west to homestead. Duncan hires Ollie, a Swedish caretaker, who frightens Chaddie. When business takes Duncan away, Chaddie goes to take care of Percy Woodhouse, an Englishman who has become ill at his place fifteen miles away. Her horse runs away, and she is forced to spend the night there. She sleeps under a wagon, but Duncan is nevertheless angry and jealous.

Hired ranch hand Tex Smith is smitten with Lucy Blake, who lives in the cattle settlement of Marco. Meanwhile, Indian chief Brave Bear despises the encroachment of white people and conspires with Sam Hardman to steal the town's cattle during a rodeo.

A gang of bad men terrorizes the country. Their revenge is directed against the daughter of a rancher who defies the leader. The attempt to abduct the girl is foiled by Jim Bart.

Bart Carson is in love with Lou and even goes to jail to save Walter A. Walker, a man she says is her brother but who is really a husband who has deserted his wife and two children.

Jack Darling of the North West Mounted Police is ordered to track down and arrest murderer Alec Young, whose girl, Dancing Pete, performs in the Nugget dance hall. En route to Nugget, Jack meets Hope Ross, who is caring for her sister's baby. Although the two fall in love, the outlook for a happy romance appears hopeless, because he believes that she is a married mother, and she thinks that he is an outlaw.

Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.

Dean Randall is a hero of the Great War who comes home to his horse and his father's ranch. When back he saves a family in a wagon train -- a father, daughter Grace, and three orphan children.

Cal Stanley goes undercover as a beef buyer in order to catch the gang responsible for stealing the area's cattle.

A lost film. Teddy Drake is a pleasure-seeking aristocrat who ends up expelled from his exclusive Fifth Avenue club for playing practical jokes and other rambunctious antics. He decides to reform his selfish ways and boards a train heading heading for the Southwest.

A western settlement of pioneer descendants is threatened with the loss of its water supply through the encroachments of nearby townspeople.

A lost film. As described in a film magazine Exhibitors Herald on March 16, 1918: "a forest ranger known only as Headin' South (Fairbanks) goes forth in search of Spanish Joe (Campeau), a Mexican responsible for most of the treachery and outlawry along the U.S.-Mexican boarder. Headin' South gains quite a reputation as he goes along and finally believes himself worthy of joining Joe's band. in a whirlwind finish in which Joe is captured, Headin' South meets one of Joe's near victims (MacDonald) and falls in love with her."

When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...

A foppish Londoner joins the Royal Canadian Mounties and tries to break a smuggling ring.

Three outlaws fleeing a posse through the desert come upon a dying woman and her baby in a wagon. Before she passes away, she makes the men promise to take care of her baby and get it safely through the desert.

Dick Rainboldt (Carey) signs up to work at a gold mine without realizing that he's being hired as a strikebreaker. He takes the job primarily because of a pretty girl who lives in the town. The superintendent and manager of the mine convince Rainboldt to blow up the mine and make it appear like the strikers did it. But Rainboldt turns the tables on the plotters and reveals their scheme. The mine owner rewards him with a big assignment and the girl promises to marry him.

A college graduate returns West after ten years in the East to her home in Sulfur Springs. Virginia's mother, the owner of a rooming house has turned hard and uncaring in her absence and the girl finds comfort in her friendship with Ross Cavanagh, a forest ranger. The latter runs afoul of cattle baron Sam Gregg, who resents a new tax on cattle grazing on government land.

Vic Stanley, a wandering cowboy, is found by Clint Taggart and his daughter, Amy, after he has escaped from a band of rustlers. Upon recovering his sight from a desert sandstorm, he sees and falls in love with Amy and becomes resolute in his decision to uncover the identity of the rustlers and particularly their leader, "The Eagle." Though blind during his capture, he nevertheless recognizes the voice of The Eagle in McElroy, a leading banker. After another escape from the gang, Vic manages to save Taggart and Amy from The Eagle's sticky clutches, exposes their operation, and proceeds on course with Amy.

The Northwest Mounties are after Cheyenne Harry for the murder of an Indian boy, and the only witness to the crime is a priest - who can't tell what he saw because the real killer, Black Michael, has confessed to him.

On the American frontier in the last decades of the 19th century, Billie is a female cowboy who fights a series of bad men in this film serial.