Documentary about how the arrival of the railway industry impacted Puerto Rican culture economically, socially, and humanistically during the first half of the 20th century. It includes photos by Jack Delano, among others, and scenarios to reconstruct the experience of what could have been the last trip made by train from San Juan to Ponce in 1953.
Hurricane María abated, the news crews packed up and left Puerto Rico, and the interest of the international community turned elsewhere. What happened next?
"A Friendly Newspaper" vindicated journalists in a very important sense. For the first time, from a place as influential as television, the business power that exists behind the press was summoned and held responsible for its decline.
The efforts of a community to build a bridge which would allow their children to go school during the rainy season.
In San Juan, Puerto Rico, hundreds of artists gathered to pay honor to the work of Puerto Rican artist Myrna Báez. La otra intención (The Other Intention) is an observational documentary that travels through the work of Myrna while visiting artists, such as Petra Bravo, Deborah Hunt, Yiyo Tirado, Gustavo Castrodad, the theater group Y no había luz, among others, to accompany them in their creative process of re-interpretation.
Puerto Rico, the last relic of colonization in the western hemisphere, has been a dependent territory of the USA since 1917. Los Macheteros and one of its leaders Juan Segarra have been fighting for its full independence for many decades.
Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".
Combines animation and documentary footage to illustrate the origins and impact of the musical genres Bomba and Plena in Puerto Rican culture.
Combines animation, documentary footage, and hand-painted film as well as slide projections, a painted 12" x 24" backdrop, and sculptural palm tree to create a kaleidoscopic portrait of the Puerto Rican psyche.
Benedicto, is a retired police officer who has dedicated more than 30 years of his life, helping young drug addicts and homeless people in the rural town of Corozal, Puerto Rico. His story takes place day by day in a little humble house in the death road of the municipal cemetery of Corozal, a rural municipality of Puerto Rico with a high population of young homeless people, alcoholism and drug addicts. The door of Benedictus little house on the death road to the cemetery is the deviation between life and death for these young people in need.
Made for the Celery Festival in Barranquitas, Puerto Rico, this documentary presents the entire history of Celery and its importance in the town of Barranquitas, as well as the evolution of the most important Agro-Cultural Festival in Puerto Rico.
Explore the 500-year history of the city of San Juan, from the move from Caparra to the different invasions during these centuries. It also looks at how different situations and people were key to what is now the capital of Puerto Rico. This documentary presents, through the recreation of key situations, archival material, and accounts of historians and researchers, decisive moments that influenced what is now the capital.
The life and career of Puerto Rican tenor Antonio Paoli, also known as The King of Tenors and The Tenor of Kings.
Explores the trajectory of the young nationalist from the time of his incarceration, at 23 years of age, as a result of the attack on the United States Congress.
A look at Puerto Rico and its cinema through films, documentaries, and commercials from the early twentieth century to the emerging cinema of today. Visual and narrative strategies portray fragments of Puerto Rico's general history and, in turn, answers the questions of who, when, and for whom have films been made in Puerto Rico and the resources that are available to do it.
Documentary that tells the story of how several of the most prestigious ballet companies and academies in Puerto Rico, with much love, effort and work, manage to carry their majestic productions to the theatre. The film portrays the journey from the first steps in the classroom until the big day on the stage of the theatre.
The cultural and architectural phenomenon of the Corsican in Puerto Rico, and the influence of the Corsican immigration in this territory.
Isla chatarra describes the phenomenon of the ubiquity of automobiles in Puerto Rico. The island measures slightly less than 9,000 square kilometers, but has 25,000 kilometers of paved road, one of the highest proportions in the planet. Puerto Rico is one of the countries with the largest number of vehicles per kilometer (of road) and third in the world in number of cars per 1,000 inhabitants. The film was produced with the idea to raise consciousness and create a dialogue about the ongoing situation of our dependence on cars. It also shows the dangerous circumstances of an island that is slowly being covered by scrap metal.