Iñigo

In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?

Feedback and religious radio noise

Myles navigates the tumultuous aftermath of a breakup, battling inner demons in a dark mental state.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.

A troubled man returns home for the last time.

2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.

A man and women have dinner, a steak, and his woman ( second steak) also does.

Último Desejo

The Internal Void of a Damaged Mind

After Luke's sister goes missing, he begins having dreams of a strange house. Unbeknownst to him, that house is owned by Alan Roscoe Jr., passed down to him after the recent death of his father. But something about this house isn't quite right, and Alan seems to tend to it in strange and disturbing ways.

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

In the sprawling, desolate expanse of a grand house, resides a solitary girl. Haunted by memories and the weight of isolation, she spends her days wandering through its empty rooms—a labyrinth of forgotten corners and fading grandeur.

A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

The restlessness creeps into a claustrophobic situation where a typist confronts the recorded voice of the writer she works for.

A randomly chosen name and random scenes shot in two different hours. Monologue (story) adapted later according to name and scenes with "Funkadelic - Maggot Brain".

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.