After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
Guy Debord's analysis of a consumer society.
Following the success of Dude, Where's My Bus? (2024), Gio Petti's new documentary The Train to Nowhere shifts focus from buses to rail, centring on the Line 2 expansion of Ottawa’s Light Rail Transit (LRT), a project that many commuters hoped would mark a turning point for transit in the city. The documentary follows Petti as he documents the circumstances surrounding the expansion, the project's transition to a hot-button political issue, and the broader impact on riders who depend on the various systems every day. It also explores themes of retaining optimism and taking charge for change in the transit system in the face of cynicism.
Documentary from French TV channel Canal+ about Marion Cotillard's road to the Oscar for her performance as French singer Édith Piaf in the 2007 film 'La Vie en Rose', also featuring behind-the-scenes footage from the film.
This short film "Torerillos 61" is one of the first works of the master Patino, which tries to portray the Spanish society of the time outside the state convention and dodging the hand of censorship. Social commitment is the brand director throughout his long career, starting with short films such as this one, made in the early sixties, in the wake of the statements in Talks Salamanca. The sadness off the characters portrayed is bleak, "Maletillas" (aspiring bullfighters) in search of luck to pull them out of poverty.
Shot entirely from an apartment window during the first month of New York City’s “Shelter in Place” directive, this film is a winding conversation about the fears, anxieties, and hopes of the residents of Claremont Avenue, in Manhattan.
An exploration of the dazzling rise and mysterious downfall of French actor and filmmaker Max Linder (1883-1925), the world’s first international film star and mentor to British actor and filmmaker Charlie Chaplin.
Parque das Gerações
Director Victor Kossakovsky dedicated his documentary debut to the Russian philosopher and religious thinker Alexey Fedorovich Losev (1893-1988), who died shortly after the completion of the film.
"Lobão - Não Há Estilo Sem Fracasso" investigates the artistic career of Lobão, one of the most famous musicians of brazilian rock in the 80s. From some interviews with people such as Edgard Scandurra, Liminha and Marcelo Sussekind, this short movie shows various points of view about music industry and it presents hits of Lobão such as "Das Tripas Coração" and "Mal de Amor".
Annita Malavasi was just 22 when the Germans occupied Italy, their former allies, in 1943. As a partisan in the Italian resistance named “Laila”, she moved throughout the Apennines with and between fighting units, delivering information, transporting weapons, and taking part in battles. She spent over a year in the Apennines, fighting against the German occupation. At the same time, she had to assert herself against the men of the mountain villages. By the end of the war, Laila had risen among the ranks to become one of the few female commanders in the Italian resistance. This film chronicles the story of a lifelong struggle for emancipation that began with the battle for Italy’s liberation from fascism. Laila and her two comrades, Gina “Sonia” Moncigoli and Pierina “Iva” Bonilauri talk about their time in the Resistenza and what it meant to them and many other women.
Pierre Carles, the dispenser of justice seen in “Pas vu, pas pris,” is back in the saddle. After attacking French television star reporters, his new target is television critics as represented by Daniel Schneidermann, host of the "Arrêt sur images" show. “Enfin pris ?” analyzes censure at work in television. It is also a thought-provoking look at how power changes people and the intimate forces between ambition and loyalty. A cruel, biting comedy from which no one really comes out unscathed.
Mrs. Brown's Bloomers
An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.
La Vie est un Cirque
Silvio Tendler goes through his life remembering the movements he was part of during the brazilian dictatorship and his adherence to socialism.
Kuyashii Gonzo: Blood Visions and Chaos Magic is a Gonzo documentary about trying to make a no-budget feature film against the onset of the COVID-19 pandemic, unemployment, and death. To never give up, no matter how hard things get.
Documentary about anti-fascist mobilization against an annual nazi march near Stockholm, Sweden.
Frederick Wiseman observes the ins and outs of the Paris Opera House, including the processes behind seven of their operas: Genus (Wayne McGregor), Le Songe de Médée (Angelin Preljocaj), La Maison de Bernarda (Mats Ek), Paquita (Pierre Lacotte), Casse-Noisette (Rudolf Nureyev), Orphée et Eurydice (Pina Bausch), and Roméo et Juliette (Sasha Walt).