Atlal (Remnants)

"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.

Six years after saying "I do," Olive and Clay call it quits. Although they split amicably, both want custody of their beloved dog Wesley and they end up in court. With everything at stake, can man's best friend find a way to reunite the couple?

Three sisters - Georgia, Eve, and Maddy - do what they do best with life, love, and lunacy on the telephone lines that bind - when their curmudgeonly father, Lou, is admitted to a Los Angeles Hospital. After years of wild living, intermittent affection, and constant phoning, he is finally threatening to die.

Rare archive footage reveals what Singapore was like dating back to 1900, showing coolies sharing lunch, rickshaw pullers, a grand Peranakan funeral, and more.

Jean Gabin, le dernier des géants

As the clock counted down to the the 21st century, the world faced a potential technological disaster: a bug that could cause computers to misinterpret the year 2000 as 1900. Crafted entirely from archival footage and featuring first-hand accounts from computer experts, survivalists, scholars, militia groups, conservative Christians, and pop icons, Time Bomb Y2K is a prescient and often humorous tale about the power and vulnerabilities of technology.

A mentally disturbed man takes residence in a halfway house. His mind gradually slips back into the realm created by his illness, where he replays a key part of his childhood.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

In the late '60s, the self-proclaimed belles of the rock 'n' roll ball, rocked the worlds of every music legend whose pants they could take off -- and they have the pictures to prove it. But it's been more than two decades since the Banger Sisters earned their nickname -- or even laid eyes on each other. Their reunion is the collision of two women's worlds; one who's living in the past, and one who's hiding from it. Together they learn to live in the moment.

Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.

“It can take years to get over the loss of a loved one, but it can take a few heartbeats to lose yourself.” Inspired by a childhood memory, artist and filmmaker Ed Lawrenson fuses the sound of his heartbeat with the imagined sound of Roman soldiers marching through tunnels beneath his childhood home, to create a deeply personal short film that explores loss and memory.

Meet the real-life airmen who inspired Masters of the Air as they share the harrowing and transformative events of the 100th Bomb Group.

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.

Nearly 200 years ago, the train revolutionized our lives. It redrew the maps of states and nations, and changed concepts of distance and time like no other invention before. What visionaries imagined the development of the railroad? How did we get from the first chugging locomotives to the smooth giants of speed we see today? How does France's extensive rail network keep running smoothly, 24/7?

Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.

A man, who creates pasts for a living, struggles to find his own past while a mysterious woman takes a dangerous step.

Penelope Keeling, a sixty-four-year-old daughter of a famous artist, reflects on her life, and the fate and choices that defined it, when she arrives in the Mediterranean to stay with her headstrong daughter. Shifting through time, and falling into place like the pieces of a jigsaw, the truth of Penelope's rich, heartbreaking and surprising life unfolds.

The extraordinary story of comedian Bob Monkhouse's life and career, told through the vast private archive of films, TV shows, letters and memorabilia that he left behind.

Childhood friends Matías and Jerónimo reach adolescence and experience sexual attraction to each other, before being separated by circumstances. Later, as young adults, they meet again, and the film follows themes of complicated relationships and sexual tensions, as well as issues of homophobia