A Live Debut by Riversleem

The Cramps perform live from NYC's Mudd Club in 1981. Highlights include: "TV Set", "Goo Goo Muck" and "I Was a Teenage Werewolf".

Live at the U.S. Festival, ’82 and ’83, a DVD featuring both years’ concerts in their entirety, compiling the best performances from each year. It stands as a fine tribute to a legendary ’80s/ska band and the only representation of their fantastic live show.

In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.

1982 found Mink DeVille in the middle of the transition from their CBGB's New York punk origins to a more subtle, rootsier sound blending soul, R & B, Cajun and other influences. Led by Willy DeVille, whose unique style and inimitable gravelly voice always made them stand out from the crowd, Mink DeVille released their first album in 1977 and immediately had a huge hit with the track Spanish Stroll. By the time of this appearance at Montreux in 1982 they were touring in support of the fourth album Coup De Grace and the show features tracks from across their career to that point as well as a couple of unreleased gems including their cover of the Ben E. King classic Stand By Me.

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.

Formed in 1979 in Wichita, Kansas, the so-called "blister pop" band the Embarrassment played major U.S. cities and garnered praise from the likes of Allen Ginsberg, John Cale and Jonathan Demme, but their refusal to compromise their vision made success elusive. Through archival interviews and concert footage, this documentary draws a portrait of the oft-overlooked post-punk legends.

Documentary on the shock rock group "The Mentors".

Considered one of the most cerebral punk rock bands around, Bad Religion puts on a unique live show that has them blasting through song after song in record time. This documentary, compiling footage from 14 different concerts, captures the raw power and frenzy of the band as they toured Europe in 1989 to promote their third album, "Suffer." The 26 featured songs include "Do What You Want," "Land of Competition," "Best for You" and more.

Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.

Washington, D.C.'s Government Issue perform live in this two-concert DVD. Filmed during a 1985 tour of California, both shows highlight songs from the albums "Joy Ride" and "The Fun Just Never Ends." Lead singer John Stabb belts out tunes including "Puppet on a String," "4-Wall Hermit," "World Caved In," "Hear the Scream," "Blending In" and "Mad at Myself," igniting audiences at both venues into full-blown Punk Rock frenzy.

A band is promised fame if they can play their songs for a set amount of time without stopping, but they soon discover that quitting has fatal consequences.

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.

What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".

Ricky Espinosa: The Documentary is a self-managed and independent project created by Juan Pablo Duarte in Buenos Aires, Argentina. It explores the life of Ricky Espinosa as an artist—his beginnings, his career, and his discography—featuring previously unreleased archival material and exclusive interviews.

A class project by transgender multimedia artist/dog Natalie Pit. Features the band Cherry Pit performing the second half of their song "I AM NOT A PERSON", set against unlicensed footage from other trans filmmakers, including the likes of Lex Walton, Louise Weard, Cate Wurtz, Jane Schoenbrun and Lily Alexandre.

Featuring portions of over a dozen songs, humorous British 'punk' ads, opinions, Ronnie Biggs, Malcolm McLaren (of course!), and a fantastic not-so-candid Lydon interview.

Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.