Último Desejo

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

After his death, a young man stuck in purgatory attempts to cope with the afterlife.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?

2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.

a short letter to a girl i've loved using visuals, sounds and some words.

A girl disappears without a trace while playing hide and seek with her friend. The friend is asked to explain how it happened, but the adults around him find it hard to believe his story. With visual originality, the limits of existence are allowed to be stretched in a film that depicts the incomprehensible from a child’s perspective.

Welcome Home.

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

A neurodivergent man is stuck in the web of an abusive relationship, unable to free himself from his lovers grasp.

While having a virtual walk through StreetView, on Google Maps, the artist questions the dissonance between the way the city is portrayed on those maps, and the way city looks today, compared to their own personal changes through time.

Jess confronts a piece of her past on the platform…

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

A person spends some time in a room

A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.

As a woman attempts to outrun her intrusive thoughts, her evening begins to unravel alongside her mind.

The Internal Void of a Damaged Mind

The emotional decline of a person after being the host of an energetic parasite.