Marriage in Transit

A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.

A young man's journey into adulthood, love, and ambition, inspired by a serial by George Randolph Chester exploring themes of love, ambition, and self-discovery, set against the backdrop of the Roaring Twenties.

Frank Perry's wife Helen is away visiting her mother, and he uses this "free time" for a night of drinking at a nightclub. Unfortunately, when he tries to return home, he enters the wrong house and is nearly arrested When Helen comes back he tells her that the "incident" was actually an initiation rite of the Masons, knowing that his wife has always wanted him to join the group. She excitedly tells her father about Frank's becoming a Mason, since her father is also a Mason. What neither she nor Frank know is that her father has actually been doing the same thing Frank is--pretending to be a Mason when he actually isn't. Complications ensue.

La corsara

A poor but honest sheet-music salesman is parted from his wealthy fiancée when she comes to believe he’s nothing but a golddigger. But circumstance places him on the board of an exclusive girls’ school, where he can prove his integrity as well as his love. This film is believed lost.

Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.

On the American frontier in the last decades of the 19th century, Billie is a female cowboy who fights a series of bad men in this film serial.

Mary Sundale is a young woman who spurns her childhood sweetheart to attach herself to a large group of riotous, semi-artistic young people and becomes infatuated with a superficial poet and critic. One night this poet becomes too bold in his advances and is thrashed by the man who has been rejected. On a later night, the group holds a party in a dirigible. The ship crashes and fear grips the revelers. Mary, now disgusted with the group and all it represents, mends her manner of living and plans a future with the man who has always sincerely loved her. A lost film.

Provost plays a brave teenager who sneaks into the Philippines in order to search for his brother, Parsons, a famed investigative reporter whose plane crashed in the middle of the jungle while he was trying to expose a drug-smuggling ring. American embassy official Merrill learns the boy has entered the country illegally and heads off into the bush after him. In the meantime, Provost has found a guide, native boy Martinez, to help him in his search. Pursued by black marketeers, unsympathetic government agents, headhunters, and Merrill, Provost finds his brother and is shocked to learn that he is a member of the drug-smuggling ring. The confusion ends, however, when Parsons explains that he staged his disappearance in order to join the smugglers so that he could expose them. Lost jungle adventure starring Jon Provost and Gary Merrill

A lost film. Teddy Drake is a pleasure-seeking aristocrat who ends up expelled from his exclusive Fifth Avenue club for playing practical jokes and other rambunctious antics. He decides to reform his selfish ways and boards a train heading heading for the Southwest.

Directed by Max Urban.

Olga Nelson, a Swedish maidservant, working at a boarding house that caters to college students, is particularly fond of one of them, wealthy Tom Gordon. When Tom receives word that his father has lost his fortune and he must quit school, he loses the remainder of his money in a poker game. Meanwhile, Olga inherits her Uncle Sven's fortune when he dies, but the will stipulates that she will receive the money only if she marries before her next birthday. She marries Gordon to get him out of debt but he spurns her affections because he thinks that she is socially inferior. They soon separate, and she goes out West where she falls into the clutches of nefarious fortune hunters who say that they will make a lady of her. Gordon returns to school and later, when she has become a "lady," they meet again. Through a misunderstanding they quarrel, but eventually Gordon realizes that she is being used by criminals and he saves her, after which they start their marriage over.

A young man marries an actress, but meanwhile her uncle has signed a contract binding her to spinsterhood, many complications arise.

Feature version of the 1941 American serial film of the same name, made for export only, never shown in the USA in any medium, and evidently a lost film.

Feature version of the American serial film, produced for export only, never exhibited in the USA, and believed to be a lost film.

Feature version of the American serial film of the same name, edited for exhibition overseas only, never exhibited in the USA in any medium, and evidently a lost film.

Tony and Freddie, who have been rivals all their lives, vie for the hand in marriage of their childhood sweetheart. Big Freddie has the upper hand when Tony gets himself kidnapped by a ring of muggers whose M.O. is to have one of their members dress up as a woman to lure men into the back seat of their limousine, where they are beaten up and robbed.

In medieval Italy, a group of men plot to kill a cruel and despotic duke.

Attracted by his wealth, avaricious Germaine marries D'Artois, then leaves him for a more sophisticated man. D'Artois retaliates by moving to the city and learning the proper social graces. His new life style proves to be too expensive for him, and at the end he is left with nothing but one suit of evening clothes and his now contrite wife.

Because of the circumstances of her parents' marriage her grandfather rejects their child, Mary. Following her their deaths she is placed in an orphanage where Mary finds hardship.