Swirl

An unexpected discovery forces an undocumented motel employee to make a life changing decision.

A drama teacher's taboo relationship with an unstable student strikes a nerve in her jealous classmate, sparking a vengeful chain of events within their suburban high school that draws parallels to "The Crucible".

Tells the story of Sadie and Bessie Delany, two African-American (they preferred "colored") sisters who both lived past the age of 100. They grew up on a North Carolina college campus, the daughters of the first African-American Episcopal bishop, who was born a slave, and a woman with an inter-racial background. With the support of each other and their family, they survived encounters with racism and sexism in their own different ways. Sadie quietly and sweetly broke barriers to become the first African-American home-ec teacher in New York City, while Bessie, with her own brand of outspokenness, became the second African-American dentist in New York City. At the ages of 103 and 101, they told their story to Amy Hill Hearth, a white New York Times reporter who published an article about them. The overwhelming response launched a bestselling book, a Broadway play, and this film.

Pia is coming back to her mediterranean family to annonce that she wants to emancipate herself.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

An African American woman living away from her family in Los Angeles yearns to be recognized for more than her physical attributes. In cultivating the friendship of a male office mate, she aspires to a relationship where romance is not a factor, seeking someone who can "see her as she is," rather than see only what he wants to see. (UCLA Film & Television Archive)

Film about the Holocaust. A Jewish family is allowed to keep the flat they have always lived in and to live a relatively normal life. One day their 10-year old son disappears. He has been sent to a deportation camp which seems like paradise except that the inmates are being used for medical experiments.

Pierre has been happily married for fifteen years and a good father. Still in love with his wife, he enjoys his wife and family and is content. One evening, he meets Elsa at a party and are immediately attracted to each other. Fifteen days later, they happen to meet again and the mutual attraction turns into infatuation. But his love for his wife and Elsa's rule about not dating married men prevents them from taking the next step. Instead, they fantasize about each other, and soon the fantasies mingle with the reality.

A Canadian doctor interned at a Japanese POW Camp during WWII must tend to his fellow British prisoners who are being worked to death in a mine.

During an internship in Tahoe, an awkward motormouth college sophomore is determined to fit in with his cool post-collegiate roommates, but discovers they, just like himself, are all major works in progress.

Noor wants to be a man. He doesn't belong anymore to the Khusras, Pakistan's transgender community. And he is definitely done with the love story he had with one of them, that had drastically changed his life. Now, he is doing a man's job in a Truck Decoration Center and he made up his mind: he will find a girl who will accept him as he is.

Based on a true story, Yoshiko and Yuriko relates the journey and great love affair of Yoshiko, who was a renowned translator of Russian literature and drama, and Yuriko, who was a feminist novelist and great activist of the post-war democratic literature movement. Both have left huge marks on Japanese literary history. The two women shared a strong attraction to each other from their first meeting and enjoyed a powerful love affair. Yoshiko reveals that she's an out lesbian, whilst Yuriko is married (not altogether happily) to a well-known scholar - a situation she can't walk away from with ease.

In the wake of the 1956 Prostitution Prevention Law, a young woman recently released from one of Japan's new rehabilitation centers struggles to build a new life.

Two boys quarrel over a toy pistol in an ever escalating game.

Film comprised of six vignettes each illustrating one aspect of life in the French capital, each set in a different area of the city.

A group of people gather for a family reunion in a house on an isolated island. They are waiting for the last person to join them, but as the evening arrives and he doesn’t arrive, a strange anxiety overwhelms them. The group dismantles and the family members wander away from the house separately, confronting the sea and an unspoken fear that slowly consumes them.

'Titles within the film are: Numen of the Boughs, Old Boots, Speed Bonny Boat, Lapping Water, Incense, Aha, Brave New World, Things, Terra Firma. A poem started in words is continued in images - Part of another poem as an addition to the picture - Some images formed by direct-on-film animation - Others 'found' by the camera" - MT

Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.

Fumiko, mother of two children and wife of an unfaithful man, shares her family life with her budding vocation as a poet. The beginning of her successful literary career coincides with her divorce and her breast cancer diagnosis. In the last stage of her life, she meets a young journalist from Tokyo who wants to write a story on her life.

Mokichi is the widowed father of three daughters, with whom he lives on the premises of a temple since the war. All three daughters become involved in some sort of complicated relationships.