Ingegerd Råman – framtid i varje andetag

“Life After Pi” is a short documentary about Rhythm & Hues Studios, the L.A. based Visual Effects company that won an Academy Award for its groundbreaking work on “Life of Pi”– just two weeks after declaring bankruptcy. The film explores rapidly changing forces impacting the global VFX community, and the Film Industry as a whole. This is only the first chapter of an upcoming feature-length documentary “Hollywood Ending,” that delves into the larger, complex challenges facing the US Film Industry and the many professionals working within it, whose fates and livelihood are intertwined.

Documentary short film intended to drum up support for the Fifth War Loan Campaign. It shows a happy family in the future of 1960 enjoying the prosperity and advantages made possible by the successful prosecution of the war, and how the sacrifices of 1944 have made the world a better place.

Three years in the making in conjunction with the BBC. Using never seen before home movies, photos and eye witness accounts - this is the inside story of the world's biggest motorsport disaster.

The 8 week road trip of photographer Diana Scheunemann, her boyfriend PJ Norman and their little dog Nico around the USA is an emblematic ensemble of breathtaking landscapes and stories, people and situations. Through 10,128 miles, 21 different states and 30 conversations, inside the homes and the hearts of Americans they encounter, they are pushed by curiosity and a deep fascination for the different elements that together create this country.

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

Madre, ma come?

In this special follow-up programme, the only television team with access to the dig and the scientific tests on the skeleton uses unseen footage and conducts two days of additional interviews to tell this extraordinary forensic detective story in even greater scientific and archaeological detail.

This short film reveals the inspiration, motivation and political challenges at San Francisco City Hall during the frantic days leading up to the first government-sanctioned same-sex marriage.

Documentary covering the Universal Inner Sanctum series.

Total Excess: How Carolco Changed Hollywood

Hundreds of boxes left by the famous uruguayan musician and political activist Alfredo Zitarrosa (1936-1989) who run away the dictatorship in the 70s, have not been touched since his death 27 years ago. Now his wife and daughters are trying to save the memories, tapes, music and sound recordings that the boxes contain to the posterity.

What drives the small community of Frascaro, near Norcia, to remain tied to a land that never ceases to tremble? What moves its inhabitants to dig with their bare hands in the rubble of a church? A crucifix to be reassembled for the patronal procession, a canvas partly buried under the stones that preserve collective memory and signs of atavistic traditions, become emblems of resilience, proud belonging, defence of a culture that wants to stay alive, challenge to isolation after the earthquake. Not far away, in Campi, a group of restorers work to recover fragments of an invaluable artistic heritage, crumbled by the effects of an implacable nature. At the same time, in total isolation at an altitude of one thousand metres, a monk lives in harmony with God in respect of the ora et labora rule, tirelessly reinforcing his hermitage, not at all frightened by a land he has learned to love.

Filmed in February at the Grand Ole Opry House, the special is a one-of-a-kind collection of performances and storytelling moments from some of Jordan’s closest friends from Nashville and Hollywood. And each song and story shares insight into Jordan’s long-lasting life lessons and experiences.

Portrays the adventure of the first Dominican expedition to reach the top of Mount Everest in Nepal. It contrasts the highest mount in the world with the low lands of the Caribbean, as the three climbers surpass the difficult track to the top. At the same time, three Dominican children, son of fishermen, start their own challenge in climbing the highest mountain in the island.

Watched by crowds, Sir Redvers Buller, Lady Buller, the Mayor of Southampton and others walk along the gangway leading to the ship towards the camera. Sir Redvers pauses to be introduced to one of the ship's officers before embarking. According to BFI programme notes, the filmmaker William K.L. Dickson can be seen bottom left, attempting to introduce himself to General Buller as he passes. Film companies were in competition to film reportage of the Boer War and Dickson was one of those filmmakers keen to do so.

A documentary following a group of London based Mexicans, campaigning for democracy and an end to the forced disappearances of 43 farming students in September 2014 and the routine killings of Mexicans, including all too often students, journalists, and the systemic political and economic issues surrounding these circumstances. —Judson Vaughan

Mérida, Tiempo y Naufragio.