Fight of the Century

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

All bets are off when shady homicide cop Rick Santoro witnesses a murder during a boxing match. It's up to him and lifelong friend, Naval intelligence agent Kevin Dunne to uncover the conspiracy behind the killing. At every turn, Santoro makes increasingly shocking discoveries that even he can't turn a blind eye to.

Both Jack Sander and Bob Corby are boxers in love with Mabel. Jack and Mabel wed, but their marriage is flat. The young wife looks to Bob for comfort.

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

An arctic saloon. The tiny dog, Dan McFoo, is playing a pinball-like marble game in the back. His girlfriend, Sue, sounding like Katharine Hepburn, stands by. A stranger comes in with eyes for Sue; he begins a boxing match with Dan. After Dan gets knocked down, he accuses the stranger of having something in the glove; the ref finds four horseshoes and a horse. After the fight goes on a while with no conclusion, the narrator tosses a couple of guns, the lights go out, and Dan is shot or is he?

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

Vic "Bomber" Bealer is a handsome, manipulative boxer who aspires to something greater than the small-town life he knows in Texas. But, even when opportunities present themselves, Bealer is too restless and indecisive to take advantage. Despite being on the cusp of making the Olympic boxing team, his life is in total disarray as he juggles relationships with an old flame, a girl who's way too young for him, and a foul-mouthed trainer.

Muhammad Ali's life story up to the late 1970s, which includes his Olympic boxing triumphs as Cassius Clay, his conversion to Islam, his refusal of the Army draft and the legal battle after being stripped of his World Title.

A group of young skateboarders find direction in their lives when they move to New York and start a pickle business.

Quarry workers and construction sites. Private neighborhoods. Paleontological digs. The earth unites and separates all of them, and everyone has an interpretation of how this world should be inhabited. The documentary follows their interests to build a story about the expansion of the city and its consequences.

Genie Français – Les Fortresses de Vauban

A building lost in the midst of a 5 000 hectare park, that's the equivalent of the surface of Paris, Chambord is the castle of all superlatives. Having required nearly 220,000 tonnes of stone to build, the Chateau de Chambord, in the Loir-et-Cher department, is an architectural gem. 156 metres of facade, it has more than 70 staircases, 282 fireplaces and 426 rooms. The castle commissioned by Francis 1st in the 16th century is also the most mysterious. The majestic monument has its share of mysteries: identity of its architect, influence of the Florentine painter Leonardo da Vinci in its design, location in the middle of marshes in the heart of the forest and even longevity because it has survived through time without being damaged since the beginning of its construction in September 1519.

Documentary which traces the story of Live Aid from its humble beginnings, a pop tune cobbled together in the back seat of a taxi, to the eve of the biggest televised event ever. Artists from the time tell the story of the day that music rocked the world. Organiser Bob Geldof recalls how after 12 weeks of manic preparation, the big day finally arrived.

A watchmaker finds his livelihood is threatened by cheaply imported digital watches.

A closely observed portrait of a single man in his 40's who lives in St. Kilda. Although he has none of the trappings of conventional existence, Kelvin's obsessive interest in born again Christianity, physical culture and recent German/Jewish history has given him a way of making sense of the world and led him to a number of people, friends through whom we see something of his life and beliefs.

Work is becoming more service oriented and more and more services rely upon us doing harm to each other. In most people's lives, work operates as a degrading and debilitating force. It disables people's critical and perception capacities. Unless workers assume responsibility for evaluating the meaning and implications of the work they do, there will never be the capacity to redirect the modern work institutions from their courses of violence and exploitation. Built in seven parts which correspond to each day of the week, this film studies the relationship between work being done and the nature of the people that are doing it.

"All I said was the gramophone's too loud." Tony and Zoe Lyle 's silly row starts like any other, but Tony finds that Zoe means it this time. She's walking out and he's got a week to save a marriage that he hasn't looked at in 18 years, and with it all the trappings of a good life in Maida Vale.

The film details the independent electronic scene of the 80s and 90s in the industrial city of Izhevsk (USSR). Today so called "Izhevsk electronic wave" is an important underground phenomenon in the history of modern Russian music. Appearing: "СД", "Стук бамбука в XI часов", "Красивая пришла", Rodesia, "Самцы дронта", "Организация сна", "Новые испанские кролики", Velvet & Velvet Dolls, "Вторая африканская охота", Lancer, Virgo Intacta, Birdwood, Digital Meet, "Юка".

MIRIAM: "Here we are; celebrating a marriage, eating a cake, drinking, standing in a uniform, standing in a canteen ... with a Teasmade and a red red garter ... and I want an explanation." VALERIE: "I want to know why you all resent me." BRENDA: "Because you're not one of us."

"Beti is a dancer in the Raiz di Polon company in Cape Verde. She receives an offer from Lisbon to join a Cape Verde music show and start a new career there. The offer unchains the deep-set Cape Verde conflict in her: identity built on the Diaspora century after century. Doubts, nostalgia, uprooting, they all soar over her and accompany her decision. The same dilemma that surrounds all Cape Verdeans, the yearning to leave, the yearning to return. Expressed and brought together around music, hallmark of the people of Cape Verde."