Canada Vignette: Erik Davidson - Mechanic

From disturbing viral video trends to the monetization of family life, this investigative work delves into the dark consequences of parents sharing private moments of their children’s lives online. Through raw firsthand accounts, it reveals how an obsession with profit and online fame can enable the manipulation, mistreatment, and erosion of childhood innocence when posted for the world to see.

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

Two 10-year-old girls, one Palestinian and one Israeli, recount their daily lives under bombardment in the West Bank. Two poignant perspectives on the same conflict.

Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.

Pussy Riot make a comeback after a long absence to stand with Ukraine. Their story and their struggle are told through archival footage and interviews with the group’s members.

Every year, thousands of German citizens travel to India, hoping to have a spiritual awakening of their own. In turn, they end up taking bits and pieces of Indian culture back home with them, creating a distorted version of Indian religion that’s practiced widely across Europe. The number of yoga institutes, ashrams, and Sanskrit institutes in Germany indicates that younger generations are far from giving up on this trend. Some are so enamored by this version of Indian culture that they travel thousands of kilometres to meet their spiritual advisors in tents, attend yoga sessions at 5 in the morning, and, in some cases, even adopt Indian names and clothes to try and connect more with this Eastern way of living. But exactly how prevalent is this trend?

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

An epic journey of courage, hope and generosity, filmed in 15 countries. Child of Nature follows 5 connected stories of young people who, against all odds are transforming their lives and the lives of those around them.

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.

In 2007 Livi, a photography student, moves into an empty building in downtown Haifa. Just before her loneliness urges her to leave, Shahar, Zvi, Iddo and Talia move into that very building - young artists themselves. The friendship ignites in an instant and when Zvi can't pay his rent, they decide to rent a space together, half of which will be Zvi's dwelling and half - an art gallery and bar. The joint work thrives and their voice is heard across the distance, but cracks begin to show, the gallery closes and they disperse. For 12 years, Livi follows their journey to fulfill their dreams as they face the reality of livelihood difficulties, manic depression and alcoholism, unfolding both intimately and lovingly, revealing the story of five friends and their maturing process.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

A documentary that brings together interviews with 20 activists who address the issue of intersectional feminism and patriarchy in Portugal.

For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.

Archamps, au sommet de la richesse

A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.

Somber tells the story of three depressed young people, all three in a different phase of the disease. What does depression do to a person? What does it actually mean? And above all, is there a way out?

Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...

Covering China's powerful leader, his signature foreign policy, U.S.-China trade and technology wars, how Chinese technology helps stifle dissent, and more. A collaboration with the Pulitzer Center on Crisis Reporting, PBS NewsHour conducted more than 70 on-camera interviews in eight Chinese cities and across eight countries.

Let Me Run profiles six inspiring women, famous or anonymous, from yesterday or today, athletes or amateurs, who use sport to gain freedom, while tracing more than 150 years of women's struggle for access to sport.

Since the year 2000, there have been several waves of suicides among the indigenous population of the Colombian Amazon. I discovered that the men commit suicide because of love sorrow. Their wives leave them for white men. The latter think that the Indian feels nothing because they do not express themselves in the same way and, in their language, there are no words to describe feelings. Is it possible that a whole people, the Cácuas Indians, do not feel anything?