Having put down his sword and given up the will to fight, the masterless samurai Iemon lives in solitude while being haunted by his violent enigmatic past...
In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.
As Japan’s Tokugawa shogunate nears the end of its rule, Edo North Magistrate Toyama no Kinsan is called upon to judge the most difficult case of his career. In a masterfully woven tale, he has to face the truth about his estranged father’s possible involvement in a nefarious plot to take over rule of the Hizen Shimabara clan by assassinating the rightful lord, his son, and install one of Shogun Ienari’s offspring as daimyo.
The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960's Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.
During the Edo period, a gifted swordsman was exiled from his clan when he questioned the misconduct of his leader. Years after, his dying wife wish was for him to go back to his clan.
The rise of the famed gambler.
When Lord Murashige rises up against the tyrannical Oda, he finds himself besieged within the walls of his own castle. Isolated, he is confronted with a series of mysterious crimes that shatter the fragile order of his court, plunging the fortress into fear and suspicion. With Oda's army closing in and a traitor hiding among his ranks, Murashige is forced into an uneasy alliance with Kanbei, a brilliant and dangerous strategist held prisoner in the dungeon, as he must outwit his enemies and uncover the truth before time runs out.
Among the many famous 16th-century samurai who made the leap from myth and ukiyo-e to early cinema screen was sword-master Miyamoto Musashi, previously depicted in prints by Kiniyoshi Yoshitoshi and others slaying an array of grotesque creatures including giant bats, giant lizards, and the mythical tengu. This imagery informed his first screen depiction in Miyamoto Musashi Taiji No Ba, which showed him combatting the mythic white ape of the mountains.
During the reign of Shogun Hidetada, both Hirate Musashi and Okamoto Musashi strive to become the finest swordsman in the land by defeating the Yagyu clan's top instructors and then taking on Sasaki Kojiro!
A skilled country doctor's talents are such that he can even perform operations as difficult and novel as removing a patient's kidney for the first time in Japan. Unfortunately for him, however, his wife's addiction to gambling is of such a magnitude that he is down to selling his underwear to make money. The image sticks and he becomes known as the 'underwear doctor.' On the other hand, his successful surgery's patient is so grateful he himself wants to become a physician.
Saotome, a sword master and guard of the Shogunate, pursues the mystery of a deadly aerial weapon that is responsible for the multiple deaths in town.
A feudal epic presenting the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. The impostor becomes comfortable living his life among nobility, but his responsibilities to his station grow more demanding the longer he occupies it.
The second Bounty Hunter film, when master killer Shikoro Ichibei takes up the cause of a group of farmers being driven to despair by the vile Lord Ozeki. The villainous lord has driven them to mounting their last stand at a deserted fort against an army of attackers. Wakayama Tomisaburo is superb as an expert in killing and military tactics, who leaves his medical practice at a clinic for the poor in order to counter the vicious tactics of that vile lord.
At the crowded Komatsuya in Kawadome, travellers are holding a secret art contest to relieve boredom. However, a thief goes around. During the sudden commotion, a young man called Gentaro begins to perform magic tricks. This magic trick brings out the lost wallets of the travellers one after another. Even the thief himself, Shinzo, is surprised by this trick. Gentaro hears that Okinu, daughter of Kutsukake Jinbei, is looking for Eijiro, the young boss of Omaeda. Gentaro arrives and introduces himself as Eijiro Omaeda. He moves to Kichibei's family in Sakamoto-juku where he meets Okinu's father who needs help.
A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.
In 1870, Japanese ambassador Sakaguchi and his entourage travel by train to Washington to deliver a valuable sword to the President of the United States, a gift from the Emperor of Japan. On board the same train are two robbers, Link and Gauche, ready to make their move…
Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.
In this film, Hibari plays a dual role as brother and sister. The story involves a journey to Hanagasa for an incognito Lord (Kotaro Satomi) to overthrow an attempted usurpation of his domain, while being harassed by vassals of the usurper (Kensaku Hara). There's also a mysterious ronin played by Jushiro Konoe. The songs are seamlessly woven into the narrative and don't overwhelm the action. While the plot is derivative it is good example of its type and quite enjoyable. Note that there are some flashback sequences in black and white.
A samurai returns to his homeland after a three year absence and finds his fiance is now one of the prince's concubines.
Before he was a protector, Kenshin was a fearsome assassin known as Battosai. But when he meets gentle Tomoe Yukishiro, a beautiful young woman who carries a huge burden in her heart, his life will change forever.