Virginius

The son of a poor fisherman and the daughter of a wealthy landlord fall in love, but meet with obstacles to being together. Their happiness meets with objection by her father, who intends to permanently separate them.

In the Haze of Opium

Mysterious World

Hammered Head

Spiritual Eyes

Love by the Monastery Walls

Lost film. A man's devotion for a woman brings about his ruin.

Kalora is the "slim princess of Morevana," a land in which fat is prized. This distresses her family, who must marry off Kalora, before her rotund younger sister Papova may wed. To remedy this situation, Kalora's father, the governor general, throws a garden party and disguises his slim daughter in an inflated rubber suit. All goes well until the suit ruptures, deflating Kalora to her normal size....

Ethel Warren returns from studying in Europe to make her debut in New York with the opera company in which Jean Paurel, world-famous baritone, is the star. Carlo Sonino, also a member of the company, falls in love with Ethel and warns her against becoming infatuated with the amorous singer.

Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.

Diary of a Lost Woman

Robert Bardon has searched for years for animal trainer Gamo who seduced and abandoned Brandon's daughter Gladys. Finding him at last he corners him in a room and exacts his revenge.

The famous painter Bernhard Steen has made a portrait of the actress Thora Flemming.

A considered lost film from 1913

Penniless aristocrat Yvonne Dupré ekes out a living selling her paintings to a crooked dealer, Leon Naisson, who passes them off as other more famous artists. Leon confides to his unscrupulous model Romildo, that he is attracted to Yvonne. Romildo drugs his lover, fiery Apache dancer Juliette who closely resembles Yvonne, then tries to extort money from Leon to have his way with her. Leon discovers the duplicity but convinces the artist's sweetheart, Dick Gray, that she has been unfaithful. As police close in on Leon, he frames Yvonne by planting forged paintings in her studio. Following Yvonne's arrest, Juliette is informed by her foster sister that she was stolen by gypsies as a child and is actually Yvonne's twin sister. Juliette exposes Leon's operation to the police, reuniting Yvonne and Dick.

Giulia, a Neapolitan girl, much against her will, becomes the mistress of a wealthy gangster. Her "protector" is stabbed to death by Giulia's hot-headed musician lover Tony (Francis McDonald), whereupon the heroine takes refuge in the villa of French playwright La Farge. Under La Farge's careful tutelage, Giulia develops into a famous actress, capturing the heart of the Duke De Chaumont. Though LaFarge himself has fallen in love with the girl, he does not stand in her way when she accepts the Duke's proposal. But Giulia has not reckoned with Tony, who is still crazy about her and still willing to kill any man who stands in his way. Tony murders LaFarge, then sets his sights on the Duke, intending to kill the poor fellow during the wedding ceremony. Hoping to save the Duke's life, Giulia pretends to have fallen out of love with him and returns to Tony.

In New York's Washington Square, a poet named Karl (Jack Livingston) is the king of art and artifice. But World War I breaks out and the spotlight on him begins to fade, so he dramatically declares his intention to enlist in the British Army. His friend Marcarson announces that he will go with him, keeping Karl to a promise which he hadn't planned to see through.

Colomba

Irked by the success of a brassy nightclub owner. her rivals set out to drive her out of business, and frame her for a murder in the bargain.

Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.