Adrián is a handsome and lucky trainer of high society ladies, who divides his time between training ladies, seducing them and scamming them until an old account catches up with him at the least expected moment.
Alex (26) is an asexual guy who wants to have a romantic relationship with his best friend Eli (25), who is a nymphomaniac. Alex is trying to do everything he can to take his relationship with Eli to the next level and to finally confess his feelings to her. He wants to win Eliz's heart through dates, joint activities, attention and help, but soon finds himself confronted with the fact that he has to try the unwanted route because of Eliz's addiction. The cycles of body and soul, finding a balance between selfishness and selflessness, leaving a toxic relationship, and learning about and accepting oneself are all themes explored in the film.
Saúl Montemayor is suffering loss in drug shipments because he has a snitch in his criminal organization, so he will put a plan in place so that this does not continue to happen and he will use three of his lovers to be able to eliminate whoever gets in the way of his plans.
After being the best hit man of all time, now he has to be the victim of a revenge that not even with all the men in the world could finish him off. However, they only left him with a thirst for revenge which increased his level of cruelty to settle scores, because if anyone knows about this perverse business, it is the famous Quebrantahuesos.
A stripper from Club Chez Nous is murdered. The killer contacts a newspaper to whitewash himself. Two journalists start to investigate the case and stumble on other crimes along the way.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
Just outside Philadelphia is a suburb full of trust fund kids and bored old men. In the heart of that suburb is a brothel run by women who are nothing more than a rite of passage to those men. House of Little Deaths explores every thing they do to get through a day, everything they hope for, everything they want to forget, everything they do to escape. A film about the mundane and bitter truth behind a world of fantasy.
Innocent girls are lured to Hong Kong and trapped in a prostitution ring.
On the eve of Independence, the chairman of the Border Commission, Sir Cyril Radcliffe decides to divide India and Pakistan into equitable halves. What the administration doesn’t account for is the line running through the middle of Begum Jaan’s brothel situated plonk on the border; with one half falling in India and the other in Pakistan.
Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.
Brenda and Sara manage to escape from prison and return to the neighborhood to start a business and, with the help of El Sapo, open another elite whorehouse, which protects a very powerful person.
A stripper is arrested for killing her gigolo who exploited her as a prostitute under the name of Karina. Her despair turns to ardent passion when she meets a lady lawyer who promises her that she will be able to get her out of jail very quickly. But both ladies will have to fight an outlaw who will do whatever he can to possess Karina.
Yuri Orlov is a globetrotting arms dealer and, through some of the deadliest war zones, he struggles to stay one step ahead of a relentless Interpol agent, his business rivals and even some of his customers who include many of the world's most notorious dictators. Finally, he must also face his own conscience.
An ordinary day in Romania. Under a highway exit close to Bucharest, Lidia and Denisa are changing their clothes; warm pullovers and sneakers are exchanged for tight tops and heels. The two are then waiting for clients, an icy wind gusting around their ears.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
Inspired by true events, two student actresses at Yale delve into dark competition in staging Strindberg's Miss Julie, pushing the envelope of Naturalist authenticity until they lose sight of reality. "Voyeur" explores the extremes of self-inflicted student perfectionism at an elite college through the lens of a dark comedy, asking the questions: How far will one go to reach authenticity? Can the theatre ever disappear completely and become life itself?