Marilyn Monroe: Beauty is Pain

Mylène Demongeot, la milady du cinéma

Fans forever love Will Smith who are reassured they will always be entertained. Follow the journey of this fascinating actor, producer, husband, father, who has the WILL to win.

Cocaine has always gotten a bad rap, and for a reason. It is a drug used by the rich and the poor legally and illegally, Mexican cartels fought over it with Colombia once associated with the brutal cocaine wars, and a source of tension between the American and Mexican borders on the people who are illicitly bringing in cocaine from one side of the border to another and will do anything to do it. So it can be surprising at times to the viewer throughout the course of the documentary special, that it was never always like this.

"No film may throw ridicule on any religious faith..." So began Article VIII of the Hollywood Production Code, a series of ethical guidelines that for forty years helped the motion picture industry produce many of the greatest and most family-friendly films in history. That was then, however, this is now. A revered "historical" movie quietly takes every opporturnity to lie and twist the facts in order to make Christians appear as backward, foolish hypocrites. An actress jumps at the chance to play a Christ-hating role, saying, "I'm an atheist, so it was a joy." One of Hollywood's most respected directors films a passion play written by a disciple of Friedrich Nietzsche, the father of the "God is dead" movement. Not surprisingly, the movie's Jesus helps crucify people and later confesses that satan is inside him. A media mogul states that "Christianity is a religion for losers."

The dawn of the 21st Century has found much of modern society obsessed with occult mysteries, sadistic violence, and evil. Everything from cartoons and video games to recorded music and major theatrical films are being designed and promote to "satisfy" the public's insatiable lust for the macabre. Most disturbing is the rise in the practice of Satanism. Law enforcement agencies are unable to keep up with the increasing numbers of heinous, Satanically inspired crimes. Basically a remake of Devil Worship: The Rise of Satanism (1989) using the same footage.

An American low-budget action film celebrated an unexpected worldwide success in 1988: "Bloodsport". With its, the world of film fans and martial arts cinema discovered a new idol: Jean-Claude Van Damme. In the 1970s there was Bruce Lee, but at the end of the 1980s a Belgian won the day. Van Damme was a karate master and had unparalleled strength and flexibility. For ten years he was one of Hollywood's hottest action stars. But excessive overconfidence and drugs bring him down again. At home in Europe he becomes a laughing stock on talk shows. Only with "JCVD" does he manage to get back on his feet, playing his character with perspective and self-irony, but without ever giving up the reputation that his action films brought him and which has been a cult for several generations. The highs and lows of his eventful life are told through archive footage and contributions from people close to the popular Belgian actor.

Documentary about Hollywood during the silent film era.

For decades, a nice Jewish couple ran Circus of Books, a porn shop and epicenter for gay LA. Their director daughter documents their life and times.

Documentary about the legendary American film director from his introduction to the film industry in its early years to his death in 1959.

The silent cinema had already created colossal movies based on ancient civilizations, but it is in the 1950s when peplums reach their apogee in Hollywood. Then, peplums take root at Cinecittà studios, in Rome, where cheap cinema is produced with bodybuilders as heroes. The genre decays in the late 1960s, but rises again decades later, when a modern classic is released in 2000.

A breathtaking investigation into blockbusters, a film genre that enjoys worldwide success yet keeps its secret weapon well hidden backstage in Hollywood. The blockbuster appeals to a very wide audience, from 7 to 77 years and from Paris to Beijing. These films, which have boosted the film industry, started out with "Jaws" and "Star Wars" and are still prospering with Avatar or Alice in Wonderland. To succeed, the films must meet a few precise criteria, one of them being their cost - at 100 million dollars minimum. But in Hollywood, the films' ingredients are a well-kept secret; perhaps for fear of discovering that the studios' house rules are not as rosy as in certain fruitful happy endings? The pressure and the stakes are colossal. This fascinating documentary reviews the numerous professions affiliated with the blockbuster, via interviews with producers of the major studios (Walt Disney Studio, 20th Century Fox...)...

Larry Wessel presents darkest Hollywood and explores some of tinsel town's most grisly tragedies, including the murders of Sharon Tate and The Black Dahlia.

Documentary by Eckhart Schmidt.

A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.

The life and career of legendary Hollywood glamour portrait photographer George Hurrell is profiled by his contemporaries including other photographers and actors he has shot.

In a rare interview, Katharine Hepburn shares her memories and memorabilia.

Ekchart Schmidt examines the machinery behind the dream factory; the Hollywood myth is unmasked. How does the studio industry work? What role does marketing and the hype surrounding the stars play?

Documentary about Hollywood Boulevard and Hollywood itself.

This one-hour film, narrated by Actor BURT LANCASTER, explores the lingering effects of The Hollywood Blacklist, which occurred in the late forties and early fifties as part of the Anti-Communist witch-hunts that terrorized the nation. This film is seen through the eyes of the wives and children of the now deceased Hollywood figures whose careers were destroyed when studio bosses, along with guild and union officials capitulated to the demands of the House Un-American Activities Committee.

When former child star Aaron Schwartz (Mighty Ducks, Heavyweights) returned to the acting world as an adult, he found himself always being asked this recurring question: 'how is he still normal having been a child star?' After seeing one too many sensationalized 'where are they now' publications he began to notice that being a child actor carried with it a stigma that seemed impossible to break. Aaron explores why the Stigma of being raised in Hollywood exists, and why child stars are so often misunderstood.