Jilted

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.

Count Von Herbeck, the chancellor to the Grand Duke of Ehrenstein, is married but keeps the fact secret on account of his high ambitions. His wife, dying, writes him a letter urging him to make their little child a great lady. A lost film.

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Captain Barnacle receives a letter telling him that Mr. Markham, a South African whose life he saved some years ago, has died, leaving him a legacy in money and some property and jewels in South Africa. The will stipulates that he shall visit the property in person.

Captain Terrance Connaughton loses his stable of horses in a card game with Algernon Cravens.

Suffering with ennui, bored by society, Annie Bradley, a wealthy girl, is anxious to make her time more profitable by doing something worthwhile.

Short comedy

Goldie, the bright young daughter of Farmer Meadows, is engaged to marry Harold Montaine, a romantic young farm hand. Along comes Jim Bludsoe, a regular villain, whose polish and citified manners impress Goldie so that she is induced to elope with him.

Silas Brown, a close-fisted country hotel-keeper in Hicksville, has a pretty daughter, Betty, who has a devoted suitor in Otis Perkins, a typical country town boy. The curiosity of Betty is excited by a package marked for Francis King, "to be called for." For three weeks the package remains without a claimant.

On the promise of marriage, Sylvia Smith, a simple girl from Lone Meadows, follows her lover to the city only to discover that he already has a wife.

Heeding the pleas of Bobbie Brown, Jimmie Jones packs his trunk full of liquor to present to his desperate friend and hops on a train. Upon his arrival, Jones discovers that his cargo has been purloined in transit, and while attempting to replenish his supplies by bargaining with the local bootlegger, is detected by the local sheriff.

A young woman who disguises herself as a man to go gold prospecting after her father and brother forbid her from joining them.

A young woman of wealth revenges herself on a young author whose peculiar ideas about women have led him to act and speak in an insulting manner. This young man isolates himself in the mountains for the purpose of writing a story on the primitive woman, where he is discovered by his friends, to whom he vows that no woman shall cross his threshold. The mischievous young woman of the story, determined to place him at her feet, goes secretly to the home of a mountain woman with whom she lives in the guise of a wild girl of the hills. Purposely sliding over an embankment where she knows she will fall in his path, she is rewarded by having him pick her up and carry her to his cabin, where she pretends to be too much injured to be moved that day. The mountain woman is sent for and the two remain in the cabin of the author for several days. Finally she is discovered by her people, when it also comes to light that the woman-hating author has fallen to the charms of his pretty visitor.

The Baron Lafitte is in love with and proposes to Adelaide Burton, daughter of Andrew Burton, a wealthy manufacturer. Clara Lane, a newspaper reporter, has been assigned to watch the movements of the Baron. She is further instructed to make a scoop of their movements. Tom Drake is in love with Clara, and is her persistent follower throughout.

An exceptionally capable girl, Trixie Joyce, proves a great help, to her mother, a widow with a large family of girls. They receive a proposition from Henrietta Joyce, Mrs. Joyce's wealthy sister-in-law, to take Trixie as a companion, feed and clothe her and in place of wages, send her mother an allowance sufficient to support the rest of the family. Both realize it is the solution of a hard problem, and Trixie accepts the offer. Henrietta is close-fisted and selfish in money matters, but she also has a strain of morbidly-romantic sentiment in her nature, so the largest part of Trixie's work is reading aloud to her mistress quantities of swashbuckling, mid-Victorian novels.

Mrs. Force, a social parasite, with a beautiful daughter, is so closely pressed by her creditors, that she uses her beautiful child as an asset, urging her to accept the offer of the hand of an aged banker, Black, old enough to be her grandfather.

Dick Carew, the son of a soap-maker, and Dorothy Wilton, the daughter of a lawyer, meet in Paris, where they have gone from America to imbibe an atmosphere sicklied with artistic buncomb by the Cubists. The young man, visiting a cabaret, the meeting place of frowsy post-impressionists, is impressed with their windy theories, mainly denunciations of everything that common sense and decency understand. Dick is just ignorant enough about art to be impressed with this buncomb, and takes Dorothy to the Cubist.

Papa Ward, a portly and dignified person, sits drowsily smoking in his study as his adorable daughter, Fannie, comes and bids him good-night. Shortly thereafter Toby Bates appears on the outside of the house muffled up in auto garb and throws pebbles against the window of Fannie's boudoir.

A comical story of the Flannigan Flats, showing how the janitor got the worst of it when, through his carelessness, water came in through the roof and leaked from one flat to another