The Legacy of Charlie Chan

Emmy Award-winning chronicle of the history of Orchard House, the home in Concord, Massachusetts where Louisa May Alcott wrote and set Little Women.

In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.

A light-hearted yet deeply moving portrait of the Asian- and Jewish-American women who play this centuries-old Chinese game, shedding light on the common and uncommon experiences of the players that simultaneously define and transcend cultural boundaries. Along the way, it proves again and again to be a bridge connecting seemingly unlike individuals, spanning generations, continents and cultures, and transcending classification as merely a game.

In April 2013, a lecturer at the University of New Hampshire submitted a paper to the Annals of Mathematics. Within weeks word spread: a little-known mathematician, with no permanent job, working in complete isolation, had made an important breakthrough toward solving the Twin Prime Conjecture. Yitang Zhang's techniques for bounding the gaps between primes soon led to rapid progress by the Polymath Group, and a further innovation by James Maynard.

Through handmade outfits and dancing, Coby, a 93 year old retired Chinatown nightclub performer, and Stephen, an artist twenty years her junior, find unlikely love, despite dissimilarities in culture and age. As their last performance in Las Vegas approaches, Coby and Stephen prepare a final routine.

In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.

In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.

Historian Lucy Worsley visits the places and houses in England where Jane Austen spent time and which served as inspiration for the settings of her novels.

The filmmaker's father and uncle, Norm and Stan, are third generation Japanese Americans. They are "all American" guys who love bowling, cards and pinball. Placed in the Amache internment camp as children during World War II, they don't think the experience affected them that much. But in the course of navigating the maze of her father's and uncle's pursuits while simultaneously trying to inquire about their past, the filmmaker is able to find connections between their lives now and the history that was left behind.

This raw, gutsy portrait of New York's Chinatown captures the early days of an emerging consciousness in the community. We see a Chinatown rarely depicted, a vibrant community whose young and old join forces to protest police brutality and hostile real estate developers. With bold strokes, it paints an overview of the community and its history, from the early laborers driving spikes into the transcontinental railroad to the garment workers of today.

In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.

The film traces the life and times of Esther Eng, a San Francisco native known as Hong Kong’s first “directress.” She directed 10 Cantonese talkies.

Filmmaker Stephanie Wang-Breal sets out to cross the generational divide, confronting long-simmering tensions with her Chinese immigrant mother by literally becoming her. Dressing in her mom’s iconic St John Knit power suits and re-creating her 1980s local TV cooking show, Stephanie becomes Beta-Florence, a radical reinterpretation of Asian-American identity.

In "Caregiving: The Circle of Love," three caregivers discuss about the challenges of caregiving and how their Chinese American traditions play a role in caring for their loved ones.

A young David Gan joins the WWII effort, eager to serve his country. Feelings of exclusion as a Chinese-American disappear in the Army. After experiencing the loss of so many fallen comrades, David dedicates his life to those who never came home.

Leaving internment camps to defend their country in Europe, Japanese-American Nisei soldiers of WWII became the most decorated unit in American history. This film tells their story.

C.S. Lewis's biographer A.N. Wilson goes in search of the man behind Narnia, a highly secretive man whose personal life was marked by the loss of the three women he most loved.

From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.

In 1916, twenty-year-old Marion Wong wrote and directed The Curse of Quon Gwon, the earliest example of an Asian American film. What initially appears to be a story about a Chinese family cursed for allowing Western influence through the door, proves to be an illuminating examination of cultural diaspora years ahead of its time.Sandwiched between two global pandemics, this documentary follows the Wong family descendents as they secure The Curse of Quon Gwon its place in film history and new revelations rise to the surface.

On June 3, 1973, a man was murdered in a busy intersection of San Francisco’s Chinatown as part of an ongoing gang war. Chol Soo Lee, a 20-year-old Korean immigrant who had previous run-ins with the law, was arrested and convicted based on flimsy evidence and the eyewitness accounts of white tourists who couldn’t distinguish between Asian features. Sentenced to life in prison, Chol Soo Lee would spend years fighting to survive behind bars before journalist K.W. Lee took an interest in his case. The intrepid reporter’s investigation would galvanize a first-of-its-kind pan-Asian American grassroots movement to fight for Chol Soo Lee’s freedom, ultimately inspiring a new generation of social justice activists.