Vending Machine

Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukiko's face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions.

Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.

The Yamadas are a typical middle class Japanese family in urban Tokyo and this film shows us a variety of episodes of their lives. With tales that range from the humorous to the heartbreaking, we see this family cope with life's little conflicts, problems, and joys in their own way.

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

Felipe Rey is over 40 years old and still lives with his mother, Nora. The strange bond between mother and son will be tested as soon as Felipe invites Lucy, a janitor from his work, over for dinner.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Anna is thinking of quitting sex work. She hears screaming from out the window.

On the surface, the Kyobashis appear to be a happy family. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.

A middle-aged husband of a younger woman finds her youth intimidating to the point that he cannot become aroused. His solution involves the introduction of his daughter's lover to his wife.

Housewife Ann sits over the dead body of her husband, rolled up in a bloodstained rug with his lifeless feet sticking out. When a mysterious man is called to dispose of the evidence, his no nonsense professionalism will clash with Ann's curiosity and emotional unpredictability.

Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?

Oliver, an elderly gardener with Alzheimer's, discovers a Super 8 film reel he recorded decades ago, during the early days of his relationship with Julia, his late wife. As he watches the images from the past, his memories blur with the present, and he finds himself torn between reality and the recollections of a love that still blooms in his mind. While searching for answers that never come, Oliver confronts the fleeting nature of life and the beauty of memories that withstand the passage of time.

Sachi quits her job at a museum, starts working part-time at a café, and moves into an apartment recommended by a regular customer. Although she has started a new life, Sachi is still haunted by the memory of her partner whom she will never see again.

An aging foundry patriarch, gripped by terror of nuclear annihilation, tries to uproot his family to Brazil. When they petition to have him declared incompetent, a family-court counselor witnesses his obsession slide into ruin—and asks whether ignoring the atomic threat is any saner.

Shortly after moving to the suburbs, the Kobayashis start to come undone. Convinced a family curse is at the root of their erratic behavior, the man of the house takes it upon himself to course-correct before it takes the last of their sanity.

A vlogger's bid for virality leads her to experiment with a depression-inducing pill, all while she grapples with the aftermath of her fractured relationships.

Toru grew up in alpine countryside around Mount Tate. As a child, he resented the yearly trek up the mountain with his father to prepare their mountain hut for the summer season of climbers. When Toru grows up, he leaves his hometown and enters the working world as a stock trader. One day, Toru receives word that his father has passed away. He returns to Mount Tate once again, and becomes conscious of a new calling. But, does Toru have what it takes to follow in his father’s footsteps?

On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn".