After discovering that his father is at death's door, Mr. Miyagi sets out to Japan, to see him with Daniel. Upon arriving, Miyagi must confront an old rival. Meanwhile, Daniel encounters a new love, and some new enemies.
Sachi quits her job at a museum, starts working part-time at a café, and moves into an apartment recommended by a regular customer. Although she has started a new life, Sachi is still haunted by the memory of her partner whom she will never see again.
A young man performs 'pranayama' sitting against a bleak wall. We observe him through a frame that seems to be connected to him in some way. As we go on to witness the nature of the frame, will the images presented to us be able to convey his intentions, thoughts, and ultimately, his fate? This experimental feature film is comprised of 7 parts of black and white imagery with no sound at all.
Glimpses of lives from a village in Assam reveal the relationship between its history and the present. People’s lives and beliefs are entangled with ecological strings , as nature stands witness to the narratives that unfolded there. A young boy, Rahul, hopes to write a book on his experience of growing up in this village. His mother, being deeply connected with nature can sense messages and signs arising from nature.. Urmila, a pregnant lady, is driven by sensorial experiences. But, In contrast to the serenity and harmonious living; there lurks a violent societal past.These peaceful and quiet lives intersect in a space where traumatic memories of death and loss in Assam’s thirty years of secessionist movement keep resurfacing.
A middle-aged man's family loses patience with him as he struggles with his seemingly directionless life.
Clara, a widow in the twilight of her life, spends her days lonely. She invites someone dear to her to share a barbecue together. However, his delay will undo her plans, and her ritual around the preparation will unstabilize itself.
Five months after the maternal death of his partner, a man is at a crossroads with how to raise their baby.
A middle-aged husband of a younger woman finds her youth intimidating to the point that he cannot become aroused. His solution involves the introduction of his daughter's lover to his wife.
A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.
9th century China. 10-year-old general’s daughter Nie Yinniang is abducted by a nun who initiates her into the martial arts, transforming her into an exceptional assassin charged with eliminating cruel and corrupt local governors. One day, having failed in a task, she is sent back by her mistress to the land of her birth, with orders to kill the man to whom she was promised – a cousin who now leads the largest military region in North China. After 13 years of exile, the young woman must confront her parents, her memories and her long-repressed feelings.
Lola's Rainbow is a film about the mundanity of life. It's about feeling trapped in the everyday cycle of repetition. The rainbow is symbolic for many reasons to many different people, however for Lola it symbolises a way out. In a world that is often dull and vapid, the rainbow's bright colours call to Lola. Dreaming of chasing the rainbow and actually doing it are two different things. Most of us give up and accept that life doesn't get better than the cycle that we find ourselves in. EAT. SLEEP. WORK. REPEAT.
After a night of heavy drinking a young man has a dream where an angel tells him the world will end if he doesn't make a sacrifice.
A train is roaring. A girl wades through the tall grass and a man crosses the river. What happened? Did it happen?
When Benny's younger brother, Loren, suddenly reappears after being missing for months, the two are forced to reckon with the drastically different ways they have chosen to live their lives.
Three guys working the graveyard shift on and around a deserted urban college campus try to make it through a long and lonely night on the job.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
The Yamadas are a typical middle class Japanese family in urban Tokyo and this film shows us a variety of episodes of their lives. With tales that range from the humorous to the heartbreaking, we see this family cope with life's little conflicts, problems, and joys in their own way.
One day, Haru (25), who works as a bookstore clerk, reunites with Takeshi (45), whom she first met a few years prior, when she stopped him from jumping in front of a train. Takeshi offers Haru a job. Another day, Haru is worried about Yukiko (40) who is sitting on a bench in front of the station, and talks to her. This leads them on a small journey together. Haru takes along a cassette tape and recorder left behind by her mother Taeko, who died of illness when Haru was in primary school. Haru again faces regrets of not being able to help Taeko, which she had held for a long time.
Three Mirrors Creature's Flashes of Flesh
One morning in the early 90s, florist Ádina performs domestic tasks after apparent disagreements with her husband, Ivo.