A sendup of the stereotypical Japanese family: dad is a salaryman jerk, unable to relate to anyone; mom is a hopeless housewife; the older son is a moderate academic success; but the younger son is a rebellious goof-off for whom a tutor must be hired. The tutor proceeds to blow the entire family apart.
Clara, a widow in the twilight of her life, spends her days lonely. She invites someone dear to her to share a barbecue together. However, his delay will undo her plans, and her ritual around the preparation will unstabilize itself.
In a place lost to history, soldiers are sent to cull a rebellion brought on by mass psychosis. Ishmael, the executioner, and Boethius, an officiating priest, have grown tired of this bloodwork. When they’re tasked with killing Absalom, a delusional pig farmer who believes himself the royal heir, the two must make a decision; to execute him or to encourage his delusion. A path that could either absolve them of guilt or leave all three dead.
Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.
The story is set in 1970 during the time of the first EXPO in Japan. The film’s main figure is a miner who suddenly becomes unemployed because the mine he worked in was shut down. He decides to resettle with his whole family to Hokkaido in northern Japan and start a new life as a farmer.
When Benny's younger brother, Loren, suddenly reappears after being missing for months, the two are forced to reckon with the drastically different ways they have chosen to live their lives.
Itamar and Thomas share a bed, walls, an apartment and electricity bills. Thomas commands, manages, and criticizes; Itamar is silent and listens. Between the apartment walls, frustration and loneliness unfold.
A young man looks for a way out
A young man has a conversation with his inner self
Five months after the maternal death of his partner, a man is at a crossroads with how to raise their baby.
On the surface, the Kyobashis appear to be a happy family. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.
Sachi quits her job at a museum, starts working part-time at a café, and moves into an apartment recommended by a regular customer. Although she has started a new life, Sachi is still haunted by the memory of her partner whom she will never see again.
Masa hires rental actress and aspiring dancer, Kanako, to pose as his fiancée to impress his estranged, terminally-ill father. But as his father's death delays, Masa is forced to confront the spiraling web of lies and to learn to follow his heart.
A woman goes through her day to day life while navigating faith and longing
Os Cães!
Oliver, an elderly gardener with Alzheimer's, discovers a Super 8 film reel he recorded decades ago, during the early days of his relationship with Julia, his late wife. As he watches the images from the past, his memories blur with the present, and he finds himself torn between reality and the recollections of a love that still blooms in his mind. While searching for answers that never come, Oliver confronts the fleeting nature of life and the beauty of memories that withstand the passage of time.
A gruff man wanders an industrial landscape.
Picnic
"After a freak accident leaves him deaf, a young man enters therapy, only to discover that losing his hearing has granted him a deeper understanding of his fractured family and inner turmoil. ግብረ ጉንዳን/Gbre gundan is a psychological drama that blurs the line between perception and reality, questioning whether true healing comes from what we hear or what we choose to ignore."
Postcards Without Names