Jack Benny's 20th Anniversary TV Special

Sir Tony Robinson takes a journey back in time to find out where Blackadder really began, and to uncover the story of the previously-unseen pilot episode.

A Wild West cow town is starving for entertainment and it falls upon Calamity Jane, a rowdy, gun-toting tomboy, to go to Chicago to bring back a famed stage actress. She brings instead the star's maid, who settles in the town, but Jane's "Secret Love" falls for her. This television special was based on a stage adaptation of the film that was playing regional circuits at the time it aired.

Raising money and awareness for Color of Change and José Andrés' World Central Kitchen supporting Black Lives Matter and COVID-19 relief efforts.

When the seventh shogun, Ietsugu died, shogunate officials chose Yoshimune, Lord of Kishu, to succeed him. Since then Yoshimune has led a double life.In court he remains a dedicated leader, but outside he travels incognito as a wandering swordsman, seeking out crime and corruption. With his trusted friends and his ninja, he’ll expose anyone who perverts the shogun’s justice and oppresses his people and he’ll ruthlessly put them down with his lightning-fast sword. But since he became shogun, many high-placed officials look on with jealousy, and long to destroy him. One such man, Lord Owari, tries to unseat Yoshimune by exposing his mother as a practitioner of an outlaw religion, Christianity, an offense punishable by crucifixion!

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

The program was the first so-called "Television Spectacular". Ford presented the show without commercial interruption. It is believed to be the first time that Edward R. Murrow appeared on NBC in a professional capacity. Also, in 1953, it was necessary for Ford to buy time on two networks to ensure maximum coverage of US TV households - at the time, neither CBS nor NBC reached 100% of them. The famed 1953 television special celebrating the Ford Motor Company's 50th anniversary brought together two of the greatest leading ladies Broadway has ever known. The highlight of the program is Merman and Martin’s 13-minute duet medley, where they sing the songs that made them famous, plus much more. On their own, Merman sings “Alexander’s Ragtime Band” and “Mademoiselle from Armetières” and Martin performs a brilliantly comic routine about changes in fashion over the first half of the 20th century.

A Halloween-themed television special starring Paul Lynde which aired only once on October 29, 1976 on ABC. It features guest stars including Margaret Hamilton (who reprises her role as the Wicked Witch of the West), Billie Hayes (as Witchiepoo from H.R. Pufnstuf), Tim Conway, Roz Kelly, Florence Henderson, rock band KISS, Billy Barty, Betty White and, in an unbilled surprise appearance, Donny and Marie Osmond.

Austin Powers presents his own kind of shagadellic swinging shindig courtesy of MTV to promote his movie, Austin Powers International Man of Mystery. Edited in the style of 'Rowan & Martin's Laugh-In', Austin shows clips from his film, including a spotlight on Elizabeth Hurley and explains how he is adjusting to the nineties after being frozen for thirty years.

Montreux Comedy Festival 2012 - Bref on Fait Un Gala

Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

Bob Hope tours China, takes in the culture and meets up with Big Bird, Crystal Gayle, Peaches and Herb, and others.

Comic Relief and Children in Need join forces to deliver a very special night of television, hosted by Lenny Henry and Matt Baker.

Mitzi Gaynor opens her second special with a dazzling performance of "Let Go." Additional songs include "Poor Papa," and "What'll I Do." She welcomes guest star Ross Martin (The Wild, Wild, West) for a musical-comedy spoof of Gone with the Wind. Other comedy skits include Mitzi as "The Kid" describing a school recital, and as a Hungarian Gypsy performing "Those Were the Days."

The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

Pawnee's most dedicated civil servant, Leslie Knope, is determined to stay connected to her friends in a time of social distancing.

Celebrities re-create an original episode each from "All in the Family" and "The Jeffersons."

Two segments (“Thanksgiving Nightmare” and “Thanksgiving Dreams”) and several mini segments explore the traditions, fun, and excitement of the holiday of Thanksgiving.