Voyage à Tombouctou

Saddari is a story of A 3 Young bikers decide to hit the road to another state for adventure , Ending up embarking on a challenging bike trip across all of Sudan with less than a 100$ In their pockets combined and worn-out bicycles, Facing numerous challenges along the way.

For wildlife filmmakers, the only way to safely explore the startling African lion is at the end of a mighty long lens — until now. Man v. Lion follows veteran big cat expert Boone Smith across the Nambiti Game Reserve as he tracks three male lions in the open African bush. But to truly understand these brothers, Boone goes face to face with them. We take an in-depth look at the lions' unique physical attributes, intricate hierarchy, and complex hunting strategies. Boone explores each stage of a lion's kill leading up to the final face-off: Boone in the middle of lions devouring their prey.

The rivers of Africa bring life and abundance to their inhabitants, but they can also be the arena for some of nature's greatest challenges and dramas. Harsh seasonal cycles dictate the course of life - and death - along the rivers. Only the fittest survive crossing the crocodile-infested Mara, the extreme drought of the Luangwa Valley or any of the many other perils harbored by rivers all over the continent. With cunning and opportunistic hunters of all sizes lurking in the waters or prowling the banks, "Rivers of Danger" is a predator's world.

Africa is a land of giants. Its powerful rivers sculpt the earth and form impressive valleys and waterways that are home to many imposing and powerful inhabitants. These are the rivers where massive elephants and hippos live, feed and drink, and where ancient crocodiles hunt and breed. They share the rivers with porcupines, the martial eagle, and the leopard.

In front of Jean Rouch's camera, Germaine Dieterlen recalls her ethnographic itinerary, at the Musée de l'Homme, in Mali and in the Paris of the 1930s.

Germaine Dierterlen talks about Dogon mythology at a conference on the Bandiagara cliffs. The Songo canopy is a sacred site in Bandiagara. Its walls are covered with paintings depicting the different phases of creation. A little further on, in a cave near the village of Bongo, symposium participants are discussing the Tellem, the people who lived in the houses built into the cliffs before the arrival of the Dogon. The archaeological remains and migratory movements of these two peoples are discussed.

In Sangha, through the window of her house, Germaine greets Djamgouno, her main informant. He then translates for her a conversation she has with a half-blind old man. She recounts her memories of a past party at which Amadigné worked with her as an informant. Later, in front of the cliff, Germaine, Djamgouno and Pangalé are sitting on rocks, and Germaine talks about the many caves that can be visited by climbing small spelunking ladders. Rouch intervenes during the interview, asking the protagonists about the settlement of the cliff by the Dogon, who learned from the Tellem how to climb the cliff. Rouch then asks about the Tellem's predecessors who lived there 2,400 years ago. Germaine admits the ignorance of researchers on the subject, and Rouch concludes by joking about the new task that now falls to Germaine Dieterlen.

We follow a team of scientists on a gruelling expedition into a remote rainforest in Mozambique. They're hoping to prove that Mount Mabu's animals and insects are unique and in need of official protection.

Mohamed Iguerbouchène was born on February 7, 1907 in Aït-Ouchen in Algeria. He left for England in 1923 where he studied music and harmony. Subsequently, he went to Vienna, Austria, to learn piano techniques where he won 1st prize in harmony and piano. Mohamed Iguerbouchen became a composer, he composed four symphonies and several film scores including the famous “Pépé le Moko” (1937) with Jean Gabin. Mohamed Iguerbouchène bowed out on August 21, 1966 following a long illness.

The destiny of women is irrevocably linked to blood. Between tradition and modernity, the female body has been marketed, honored, and mutilated.

The EU is investing billions to establish African states as its new border guards. It also supports dictatorships that close their borders in return.

Arriving aboard the liner “Ville d’Alger”, young French citizens go to Bouzareah to follow a one-year professional training course at the École Normale. After acquiring the basics of the Arabic language and culture, the future teachers are trained to teach the population the basics of modern agriculture, manual work and hygiene. A study trip concludes the training. The teachers are then sent to the regions of their choice, where they will put their knowledge at the service of the inhabitants.

The film, shot in 1938, is part of a series entitled “The true face of Algeria”. The film highlights the proximity of Algiers to Paris and promotes air travel. The commentary supporting the images highlights the urban dynamism (“Every day, a new skyscraper replaces a wasteland”) and the comparison with Paris (“Algiers is often nicknamed the Paris of North Africa because of its elegance become proverbial). Contemporary architectural achievements are described as the sign of “grandiose modernism”: “we love the new, the bold”. But the point does not forget the buildings illustrating “the Moorish, classic and attractive style”. The description of the Casbah also attempts to understand the architectural organization but also the diversity and even the atmosphere.

An examination of how Africa's mythological stories have served as the basis for the world religions that came after, especially in Western civilization.

This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .

Documentary about climbing in Mali.

Road documentary that delves into the musical and religious expressions of sub-Saharan Africa. Through Mauritania and Mali, the film documents the lives of Dogon, griots, musicians and instrument makers who, through oral accounts, explain why music plays a fundamental role in the socio-religious organization of peoples. The film culminates its search with the recording of the performance of the traditional Dogon mask dance, in Begnematou, a small village lost in the desert.

Camus, l'icône de la révolte

At the time of Tunisian independence, owners of large boats decide to sell, while many small fishermen soon find themselves without work. Their wives then decide to pool their gold rings to sell them and thus buy boats.

Famed explorer Lewis Cotlow leads a hunting and archaeological expedition into Africa.