Japanese Masao Maruyama, co-founder of the Madhouse studio and producer of the cult films Perfect Blue and Tokyo Godfathers talks about the fantastic universe of mangaka and filmmaker Satoshi Kon (1963-2010), one of the most brilliant and fascinating authors of world animation, ten years after his death.
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)
For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.
The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
A dialogue-free documentary on former magazine model Pandora Peaks, with narration by Peaks and Meyer.
The Story of X takes you to the earliest days of adult films when men peddled stag reels and projectors out of the trunks of their cars, then through the movie house years to the arrival of the home video business, and now the Internet. Meet the men behind the camera, such as "King of Sexploitation" Dave Friedman and the preeminent breast man Russ Meyer. Considered pariahs at the time, they're now hailed as pioneers in the fight against censorship. The Story of X visits the 60s when women's rights, not nudity, became the issue and recounts porn's arrival in Hollywood, led by director Bernardo Bertolucci's Last Tango in Paris. In the 70s, several groundbreaking films, including Behind the Green Door featuring Marilyn Chambers and Deep Throat featuring Linda Lovelace, took the genre to a new level.
After the Carnation Revolution, Portugal became a democracy and opened itself to the world. One of its consequences was the spread of erotic and pornographic films. This documentary tells the story of how these films arrived at Theatro Gil Vicente, an emblematic cultural venue of Barcelos.
Omnibus: François Truffaut
Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.
In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel: "Deep Throat," starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self-appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film's star.
Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.
Because of the internet's accessibility, anonymity, and affordability, pornography addictions have risen to epidemic levels, destroying intimacy, marriages and families, while distorting our definition of sex and sexuality.
Never before have we watched as much porn as today yet the traditional porn industry is dying. The arrival of web sites showing amateur clips has transformed the way porn is made and consumed. Behind this transformation lies one opaque multinational.
Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.
Act of Violence Upon a Young Journalist is a film shot in 1988 and released on VHS in 1989; a mysterious cult work of Uruguayan cinema surrounded by strange theories about Manuel Lamas, its unknown creator. Until now.
The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.
The story of French filmmaker Jean Rollin (1938-2010), one of the most singular voices of European cult cinema, deeply misunderstood and widely misrepresented.