Narcissicon

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

An abstract experimental short film from Jordan Belson.

Orchids,… centers on an animated video in which Marten sets forth a sanitised and alluring world of free-floating and fragmentary objects. Excised from normal context and imbued with an impossible cosmetic sheen, these crystalline forms are conjured in colours that range from the surreally heightened to the deliberately banal. A line of toy-like objects – a train, a giraffe on wheels, a boat – trundles along on an impossibly turquoise plane. Parasitically followed by a swirling black fly, the unfolding narrative is one of production, consumption and saturation. Elsewhere, the naked human backside of the title (cropped and anonymous) is shown with a luridly-glowing orchid tucked between its buttocks. At points, the imagery takes on the semblance of a painting or diagram, both formulaic ‘analogues’ of reality, like the video itself, implying the knotty weight of a Cézanne still life.

A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.

For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.

SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity. An alternate ending to the television series "Neon Genesis Evangelion", which aired from 1995 to 1996 and whose final two episodes were controversial for their atypically abstract direction.

The scene is set in front of a French chateau. The camera chases improbable incidents across the screen. Many are constructed out of one of Jordan's favorite engravings illustrators: Poyet. Duels occur on a tight rope. Heavier-than- air machines fly (and sometimes crash). Below guns spear exploding spheres. The timing of the animation is exquisite, existing in an atmosphere balanced between frenzy and delight.

Slow disintegration and aging of artists head, revealing underlying bone structure. Created using old picture-phone technology. New music added in 2013.

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

To fly a – way from/out of death, don’t hire a taxidermist but take a ride in this taxidrome! Series of 41 Moving Images - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life. The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.

Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.

A particular day of a samurai

We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.

A colorful collage, with a subtle ecology theme, made largely from footage from trial runs of programs used for many of the other films.

The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.

Animation by japanese artist Keiichi Tanaami for John Lennon's song "Oh Yoko!" -- the song was released in 1971, and the animation made in 1973. Keiichi Tanaami (田名網 敬一, Tanaami Keiichi, born in 1936 in Tokyo) was one of the leading pop artists of postwar Japan, and was active as multi-genre artist since the 1960s as a graphic designer, illustrator, video artist and fine artist until his death in 2024.

Originally completed in 2018, the film was largely self-funded, Mr Yen Ooi worked on the script, refining the vision of the film for over a decade, with multiple iterations of the story under names such as 'Beetle Ramen', in which the completed draft of this screenplay was finalised in 2005, this would become the basis of inspiration and 13 years later the final production "Spaghetti Ramen" would be completed. It was then distributed to different indie and international film festivals. Unfortunately due to the passing of the director in the same year, the final processes were incomplete and the film did not get screened anywhere due to not getting the rights clearance. In 2023 however, the film was cleared to screen at WORM, Camera Japan in Rotterdam. This allowed for the first and only screening of the film in the world.

Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films

A twisted and macabre film by Mróz-Raynoch, which explores an exhibition where the guests are as grotesque as the exhibits (stylistically akin to Gerald Scarfe’s horrifically distorted caricatures).