Toute l'Algérie du monde

Dr. Bluto sails off to Darkest Africa for exploration. Popeye, who stayed behind, hears a radio report that Bluto is lost and sets sail - on a raft - in search of him.

Who was Frantz Fanon, the author of Wretched of the Earth and Black Skin, White Masks, this Pan-African thinker and psychiatrist engaged in anti-colonialist struggles? Born in Martinique, Frantz Fanon was not yet 20 years old when he landed, weapons in hand, on the beaches of Provence in August 1944 with thousands of soldiers from "Free France", most of whom had come from Africa, to free the country from Nazi occupation. He became a psychiatrist and ten years later joined the Algerians in their fight for independence. Died at the age of 36, he left behind a major work on the relationships of domination between the colonized and the colonizers, on the roots of racism and the emergence of a thought of a Third World in search of freedom. 60 years after his death, the film follows in the footsteps of Frantz Fanon, alongside those who knew him, to rediscover this exceptional man.

David Olusoga opens secret government files to show how the Windrush scandal and the ‘hostile environment’ for black British immigrants has been 70 years in the making.

The Undressing

An hour long interview with Slovenian philosopher Slavoj Žižek made by Russia Today for his 70th birthday. In this documentary Žižek answers questions from the public in regards to politics and ideology, gender and sex, philosophy and psychoanalysis, hardcore pornography and sexual liberation in the West, in his usual style of polemics and comedy.

SOUND OF THE SOUL is a compelling portrait of an Arab country where Muslims, Christians, and Jews have lived together in relative peace for centuries. Beautifully photographed during the Fez Festival of World Sacred Music, the film presents unforgettable performances from groups from Morocco, Ireland, Russia, Afghanistan, Mauritania, the USA, Portugal and France, which carry viewers into what the film's Moroccan sufi guide calls "the hearing of the heart": the essential Oneness at the core of all religions and faiths.

Spain, 2003. An accidental discovery leads Clarence to travel from the snowy mountains of Huesca to Equatorial Guinea, to visit the land where her father Jacobo and her uncle Kilian spent most of their youth, the island of Fernando Poo.

Directed by Abdelaziz Tolbi.

This short film tells about a young, but already well-known flutist Denis Bourikov. A winner of international competitions and a scholar of the "New Names" program, in his fourteen years he traveled the world, gave solo concerts, performed in the residences of the Pope of Rome and the Patriarch of Moscow and All Russia. James Galway, one of the best flutists of the world, said about him: "Denis, without a doubt, is the most capable young musician. I believe he has a great future". Tracing the creative path of this gifted flutist, the film tries to reveal his complex inner world.

Les États-Unis d'Afrique

A filmmaker celebrates his inspiration for movies by recreating what it was like for his 9-year old self in 1972 when he journeyed downtown to spend a magical Saturday afternoon at the movies.

The film tells about a previously unknown episode of Paul Robeson’s biography — a secret conversation in 1949 in a room at the Moscow Hotel with the Jewish poet Itzik Feffer, who told Robeson the circumstances of Mikhoels' death. Paul Robeson Jr. shares his memories, having learned about this secret just before the death of his father, and it is the first time he tells the filmmakers about it.

A "short film gift" documentary that shows how Alzheimer's has affected and affects Julieta. These are affective movements that appear in the game between: pauses and flow, approaches and distances, music and silence.

This short film reveals the inspiration, motivation and political challenges at San Francisco City Hall during the frantic days leading up to the first government-sanctioned same-sex marriage.

A film about political ethics and legislative incompetence that follows one man's attempts to require politicians to actually read the Bills they are passing -- which, strangely, is not currently required anywhere in the U.S.

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

There's a big drought in Africa. Food and water are scarce. 90,000 wild baboons suddenly start attacking humans and eating them in order to survive. Some people find themselves being hunted by the starving monkeys and must do whatever they can to stay alive.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

After 50 years, José and Maria break off their marriage for good and agree to tell their grandson, for the first time, about the reasons that led them to this decision. A story about love, pain and forgiveness.

Voyage à Tombouctou