Le lac des cygnes au théâtre national de Chaillot

The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.

When rebellious street dancer Andie lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the schools hottest dancer, Chase, to form a crew of classmate outcasts to compete in Baltimore s underground dance battle The Streets.

Raymonda is betrothed to Jean de Brienne, a gallant knight who pledged to go on a crusade led by the King of Hungary. When her beloved leaves, Abderakhman, a foreign knight, makes a bid for the hand of Raymonda and threatens her fate when she rejects him…

Inspired by Lord Byron’s epic poem, this jewel of the repertoire boasts a lavish production complete with a shipwreck, pirates, and some of ballet’s most renowned scenes.

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

Sugar plums and snowflakes, dreams and spells –The Nutcracker is one of the world’s best-loved ballets, and this production by Peter Wright is one of the most enchanting stagings ever created. The Australian Ballet shines in this charming classic. Sumptuously staged and set to Tchaikovsky’s celebrated score, this ballet is a truly magical experience for the whole family.

A woman in her daily life at home. A ballerina practicing her art. Realities mix in a remembrance of an irretrievable time.

Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Tchaikovsky's Swan Lake, a ballet in three acts, is present by the Ballet Company of the National Opera of Ukraine, with music provided by the Orchestra of the National Opera of Ukraine, conducted by Mykola Dyadura

Matthew Bourne choreographs this version of Tchaikovsky's ballet performed at Sadler's Wells Theatre. Bourne sets the first part of the story in 1890, the year in which Tchaikovsky completed his version of Charles Perrault's classic fairy tale, with Beauty pricking herself on the poisoned rose in 1911 and awakening 100 years later in the contemporary world.

The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. This is one of The Royal Ballet’s most loved and admired productions, faithful to the spirit of the 1841 original yet always fresh at each revival. This performance features former Bolshoi star and now Royal Ballet Principal Natalia Osipova in a breath-taking interpretation of the title role.

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

The Royal Ballet celebrates the breadth of three of Principal Choreographer Kenneth MacMillan’s one-act ballets: Danses Concertantes (a plotless ballet for three soloists and corps), Different Drummer (the harrowing, unremittingly grim story of a simple soldier driven to madness and the murder of the only person he loves, his wife, by his inhumane treatment at the hands of experimenting army doctors), and Requiem (the portrait of a company coming to terms with the loss of a much loved director).

A magical blend of choreography, stop-motion and live action, Stories from a Flying Trunk captures the enchantment of three classic stories from Hans Christian Andersen. Conceived, written and directed by Oscar nominated Christine Edzard and featuring the dancers of the Royal Ballet, choreographed by Frederick Ashton. The Kitchen contains household objects which come to life and hold an animated conversation. The Little Match Girl updates Andersen's heart-rending tale to London's East End in the late seventies. Little Ida is an inspired celebration of dance featuring members of the Royal Ballet.

The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.

Now celebrating its 50th year, George Balanchine’s sparkling ballet still shines with all the brilliance of the gemstones that inspired it.

A small-town shoemaker with a knack for spinning yarns, Hans encounters happiness and heartbreak on his road to becoming a full-fledged writer.

Frederick Ashton's La Fille mal gardée (The Wayward Daughter) is one of the choreographer's most joyous and colourful creations. Inspired by his love for the Suffolk countryside, the ballet is set on a farm and tells a story of love between Lise, the daughter of Widow Simone, and Colas, a young farmer. It contains some of Ashton's most stunning choreography, most strikingly in the series of energetic pas de deux that express the youthful passion of the young lovers, performed here by Natalia Osipova and Steven McRae. The ballet is laced with exuberant good humour, and elements of national folk dance, from dancing chickens and a maypole dance to a Lancashire clog dance for Widow Simone, performed by Philip Mosley.