Revive the Lira's Glory

15 x 15 x 5 (minisalon 1984)

Chewing gum sculptures, a wealthy gallerist, a notorious murder case, and the segregated south - it's all part of Nellie Mae Rowe's boundless universe. This World Is Not My Own reimagines this self-taught artist's world and her life spanning the 20th century.

A Materialaktion (an art performance/happening in which objects are used to create an art piece) by Viennese Aktionist Otto Muehl. The setting is a solemn Christmas celebration.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

Deeply thoughtful and illuminating, DRAWING A LIFE reveals the details of artist Geoff McFetridge’s life and work while delving further into the universal questions of what makes a fulfilling life and how to live with intention in the limited time we all have.

A young journalist is looking to learn and talk with the Lebanese legend, Fairuz.

Short documentary showcasing engravings by Goya.

Tells the history of skateboard art and its evolution through the decades, as iconic and rebellious skateboarders and artists give firsthand experiences and stories about their art that challenged the establishment.

Nejslavnější betlém světa – geniální dílo třebechovického mistra Probošta

A portrait of the painters Edgard Tytgat, Albert Dasnoy, Jean Brusselmans, and Paul Delvaux. Under the eye of the camera, the artists present a large glass panel depicting the four seasons representing a stage in human life (adapted from Wikipedia)

H*ART ON dives off the deep end of modern art. A film about the yearning to create, to mould everyday emotions into a meaningful life and, most of all, to live beyond one's death. A struggle that gets to the existential core of each of us. How do you find meaning in everyday fear, love, sex and loneliness?

Rouge ! L'Art au pays des soviets

An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.

For generations, we have believed that man is driven by ruthless self-interest. But over the past decade, this idea has been increasingly challenged. New research from fields as diverse as political science, psychology, sociology and experimental economics is forcing us to rethink human actions and motivation. ‘The Altruism Revolution’ examines the scientific reasons behind the call for a more caring society.

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Gauguin a Tahiti - Il Paradiso Perduto

Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life's obsessive work as an erotic artist.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Kuwait’s constitution says that every person has the right to a job, so in some places 20 people are employed for one person’s job. In South Korea, they work so much that a policy has been introduced to turn off computers at the end of the day so that employees can’t work any more. In the US, they give up over 500 million holiday hours each year, while Amazon’s drivers are trying to form a union. Meanwhile, robots are poised to take over most jobs and put the rest of us out of work. Work is so crucial to our identity and what we spend our waking hours on that it is barely noticed anymore. A lot has happened since a group of Puritan priests invented the concept of work ethic in the 1600s, and in the 21st century the very concept of work is in many ways disintegrating. A perfect situation for a filmmaker like Swedish mastermind Erik Gandini, who travels the world to explore what the concept of work means today – if it means anything at all.