Inside Traffic: The Making of 'Traffic'

Viewers are given an inside look at the making of "Mary Poppins Returns," with interviews with stars Emily Blunt and Lin-Manuel Miranda.

Hollywood, 1942. The US government pressures Hungarian-born film director Michael Curtiz, who is about to finish shooting Casablanca, to accentuate the film's propaganda message in order to sway public opinion in favor of the country's intervention in the European war.

A French documentary offering a behind the scenes look at the American television series.

Our Cinema

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

A detailed history of documentary filmmaking in the US and the UK from 1929 to 1945. The first part, Working for Change, focuses on 1929-1941 and the social movements of the times, The Great Depression, The New Deal, and the awakening of the Leftwing in the UK. The second part, The Strategy of Truth, focuses on 1933-1946 and explores the role of film as propaganda during World War II, and the different forms it took in the US, the UK, and Germany.

The Warwick Rowers Charity Calendar making of films are rightly famous. Shot and edited by a world-class director/editor since 2012, In this second film, in Spain, is shot in an extraordinary private garden that overlooks the Straits of Gibraltar, where the Atlantic Ocean meets the Mediterranean sea. As well as the dramatic and unique location, we are delighted that we were able to bring a total of twelve rowers to Spain this year. The privacy of the garden, the warmth of the Mediterranean summer and the camaraderie between such a large group of rowers make this a film like nothing we’ve made before.

The Warwick Rowers are celebrating their tenth anniversary with their best ever new products for 2019. Shot on location in Australia, Italy, England and Spain, the new calendar is a testament to the ambition and achievement of these young college athletes. They set out in 2009 to make a small student calendar, more for fun than money, and instead created one of the world's leading examples of the ally concept in inclusion. They have inspired women and LGBT men around the world including Robbie Manson, the Olympic rower and world record holder for single sculling. Robbie joined the boys naked for their Sydney shoot and is the very first special guest star in a Warwick Rowers calendar.

Directed and edited by Stanley Kubrick's daughter Vivian Kubrick, this film offers a look behind the scenes during the making of The Shining.

A tribute to Charles Mingus.

We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.

Documentary on the making of Gus Van Sant's "Psycho."

A history of the British television comedy double act Morecambe & Wise to coincide with the BBC drama about their early lives.

A documentary about the fifth series of Red Dwarf (1988).

A documentary about the fourth series of Red Dwarf (1988).

A documentary about the sixth series of Red Dwarf (1988).

A documentary about the seventh series of Red Dwarf (1988).

A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.

Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.

Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.