Manifesto

Documentary following Peter Mandelson in the run-up to the 2010 general election. Hannah Rothschild's film shows Mandelson at his ministry, masterminding the election campaign and dealing with colleagues such as Gordon Brown and Alastair Campbell. With unprecedented access to key events and conversations, this is a fascinating behind-the-scenes exploration of British politics. (Storyville)

Images of crowd simulation are faced with testimonies from Liverpool Football Club’s supporters who recall their experience marked by a tragic event: the Hillsborough stadium disaster in 1989, which changed the nature of the game of football.

The Berlin Wall came down in 1989, bringing the reunification of Germany and an end to the Cold War. This documentary revisits the events surrounding the wall's historic collapse. Interviews with George Bush, Mikhail Gorbachev and Helmut Kohl offer insight into political maneuvering while firsthand accounts from Germans provide personal perspectives of this historic event that changed the world forever.

It’s 2020 and Minsk, the capital city of Belarus, is overflowing with anti-government protests. A dreamy figure – Mara – takes us on a journey alongside the protesting crowds. Mara’s symbolic presence is a stark contrast to the harsh reality of the street. There is a determination to Mara, but also a fragility – as if her persona reflects the collective mental state of the protesters witnessing their dream for freedom turn into a nightmare.

This documentary follows ex-spy Alexander Litvinenko from his forced exile from Russia, to his death from poisoning in November of 2006.

Based on Angela Nagle's acclaimed book "Kill All Normies," this documentary traces the white supremacist 'alt-right' movement to its origins in obscure online subcultures populated by sexually frustrated young men.

EABT is one of our biggest social critics on YouTube with over 233,000 subscribers. Find out why he chose to start the channel and how he has looked at the development since then.

The story of the University of Brasília, since it was only a project in Darcy Ribeiro's head until the fateful events in August 1968 when its campus was invaded by the police, during the military dictatorship, thus putting an end to its independence.

Rob Williams was an African-American living in Monroe, North Carolina in the 1950s and 1960s. Living with injustice and oppression, many African-Americans advocated a non-violent resistance. Williams took a different tack, urging the oppressed to take up arms. Williams was stripped of his rank as leader of the local NAACP chapter, but he continued to encourage local African-Americans to carry weapons as a means of self-defense. Wanted on a kidnapping charge, Williams and his wife fled to Cuba. His radio show Radio Free Dixie could be heard in some parts of the United States.

When a private police foundation in Atlanta tries to raze an urban forest to build the country’s largest police training facility, a diverse, decentralized, and intersectional movement defends the forest from what they call “Cop City.” A City in the Forest paints a collective portrait of the country’s most urgent social justice story, where a web of activists fight back against environmental racism, political corruption, police violence, and the criminalization of dissent.

Winner of the DOC NYC Audience Award, Director Nick Canfield’s first film follows gospel-rock icon and activist Reverend Vince Anderson. After entering seminary, Vince dropped out to follow his second calling - music. With his band The Love Choir, he has played a now-legendary weekly show for over twenty years. Reconnecting with his faith and using his intense soulful music, he began to preach a type of spirituality that is open to all, meets people where they are, and moves everyone that sees him play. Reverend Vince is also deeply involved in social justice, working with other faith leaders around the country to build inclusive communities. Featuring Questlove and an ensemble of eccentric musicians, The Reverend is a rocking concert film as well as an intimate portrait of Reverend Vince’s inspiring personal and spiritual life.

Trump Card is an expose of the socialism, corruption and gangsterization that now define the Democratic Party. Whether it is the creeping socialism of Joe Biden or the overt socialism of Bernie Sanders, the film reveals what is unique about modern socialism, who is behind it, why it’s evil, and how we can work together with President Trump to stop it.

A sharp, humorous examination of Almedalen Week in the Gotland province of Sweden, an annual event where thousands of politicians, lobbyists, and citizens gather for the ultimate showcase of political theater.

The film follows Volodymyr Zelensky through a year that pushes him to his political, personal, and moral limits. In 2025, Ukraine suffers under relentless attacks, the army is exhausted, and society is deeply unsettled. At the same time, Zelensky seeks allies between Europe and an unpredictable Washington — in a struggle for weapons deliveries, security guarantees, and a peace framework that preserves Ukrainian sovereignty.

The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.

A documentary project that shows viewers behind the scenes of this cultural exchange and explores the current processes of integrating Ukrainian culture into the European context. The heroes of the project are the participants and visitors of the festival, who demonstrate with their own stories the unique connection and cultural integration of Ukraine into the plane of Liverpool, one of the cultural capitals of Europe. In particular, Sarah Fisher, director of Liverpool's Open eye gallery, Yuliia Kurinna, a volunteer and displaced person from Nova Kakhovka, and actor and director Yurii Radionov will share their thoughts.

Trzeci zjazd

Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.

Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.

Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.