It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
Barry Craven meets former sweetheart Gillian Locke, who is visiting India with her father. Craven's love for Gillian is revived, but he already has a wife, Lolaire, a native. In a jealous rage, Lolaire kills herself, freeing Craven, who returns to England and marries Gillian. His Indian servant, Kunwar Singh, casts a spell on Craven, causing him to leave Gillian and to go into the Algerian desert. There he joins Said, an old university friend who is the son of an Algerian sheik. Gillian follows, the servant is killed, and with him dies the spell, "The Shadow of the East."
A man discovers that he has two personalities--and one of them is a notorious strangler.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
Rex Radcliffe, vice president of the Northern Atlantic Railroad, is opposed by company president William Harding in his desire to put over a deal that would jeopardize the stockholders of the Interstate Railroad. Using thought control, he causes Weer, Harding's discharged secretary, to murder his ex-boss. Weer is arrested for the murder. Radcliffe then puts Harding's daughter, Helen, also under his influence. John Bonham, Interstate president, becomes interested in the case, and with the aid of Mrs. Weer he exposes Radcliffe, who then commits suicide.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
A reformed criminal is blackmailed when three girls are murdered.
A youth waits for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house, claiming his older brother has in fact died.
When Nakia gets impregnated by her abusive boyfriend, her attempt at summoning a demon to seek revenge over him goes awry.
A murdering skyjacker parachutes to safety and poses as a novice monk in an isolated New Mexico monastery.
Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings. A lost film.
When a sculptor falls in love with his model but finds his love unrequited, he plans to kill his love rival with the help of the owner of a Horror Wax museum. The film is considered lost.
A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.
A sailor, known as the Adventurer, searching for a lost American explorer discovers him being held hostage on a remote island in the South Sea. The man is held captive by the island's natives, who have placed him under a voodoo spell known as "obeah.
Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.
A poor man refrains from proposing to the woman he loves until he can secure the fortune left him by his uncle. Believing the treasure awaits in his uncle's abandoned mansion, he begins searching... only to uncover mystery, murder, and a killer ape.
Botan dôrô
A condemned man uses hypnotism on a judge. After the man's death, the judge finds himself acting like the condemned man.
An old Indian legend tells of the supposed ability of persons who have been turned into wolves through magic power to assume human form at will for purposes of vengeance. This film is presumed lost.