Joo-yeon is traveling before he joins the army. He visits his uncle's house to spend time there until he starts serving duty and gets off at the bus terminal in a small city. Unlike his tacitum uncle, his aunt is very open and sweet. Joo-yeon meets her friends too at the hospital where he meets his aunt and he also meets his childhood friend Tae-ho. Later, they work out at Mi-jin's Taekwondo studio and decide to get drinks. Joo-yeon notices that something is going on between Tae-ho and his aunt but he decides to ignore it. Joo-yeon keeps a watch on his aunt while Tae-ho tries to bring out her sexual fantasies. Mi-jin falls for Mi-jin. Joo-yeon is getting other ideas the more it's time to leave for National
Department of Dance student Da-hee (Oh In-hye) is a born solo who has never had a boyfriend before. However, she has nightmares every night. She dreams about violent sex every night. What she would never ever imagine even in her dreams is bothering her in reality and she cannot share this with anyone. In addition, the new performance projector is her long-time crush, professor and Woo-kyeong’s husband Gong-woo (Chris Jo) and it’s making her suffer. In the end, Da-hee goes through therapy and finds out she’s suffering from a trauma she’s had when she was a kid. Then she stumbles upon Myeong-joong, a Tantra yoga instructor online...
Joshidaisei: Onsen Geisha
A woman becomes addicted to the rhythm and joy found on the train. Various men are encountered...but when will they get off?
"Groper Train" pink film distributed by Okura Eiga.
Japan's first space shuttle crashes into the mountains, and it is reported that all crew members are killed, except for one woman, Ozora Mirai, whose body is never found. A few days later, while trying to molest her on the train, Matsutaro is approached by a dirty woman, who clings to him and he has no choice but to take her back to his apartment. This woman is Mirai, who has lost her memory due to the shock. Mirai's stepmother Reiko finds out that Mirai is still alive and is trying to kill her to monopolise her inheritance.
Sena has had a care-free deco-truck business, but one day, she receives a strange request by a cheap hoodlum, Takizawa, to carry a blind stripper, Azumi, to a certain location. She reluctantly accepts it, but yakuza members begin a persistent search for Takizawa, who turns out to have stolen their company’s money. Here comes the long-awaited new deco-truck series featuring the idol, Saori Hara, rolling down the highway on a ton of love, action, and steam!
Won-jin is sent into a nearby region suddenly by the company. He is unprepared when he goes down so he calls his friend Chang-hoon who lives there. Chang-hoon lets Won-jin stay at his house for the time being but Won-jin gets to thinking. The reason is, Chang-hoon's young wife Soo-yeong has a history with Won-jin. However, Won-jin decides to go to Chang-hoon's house to see Soo-yeong. Chang-hoon just happens to leave the house for a while and Won-jin meets Soo-yeong's glamorous friend Kyeong-hee who is also living there. Won-jin starts living with Soo-yeong and Kyeong-hee who starts seducing him.
The suspense unfolds around the humiliating ordeal of three confined individuals. Two female nurses and a hospital director are abducted by Jimbo, a deranged rapist known as the "Private Police." Driven by a twisted sense of justice, Jimbo attempts to judge their crimes for their alleged involvement in a medical malpractice cover-up.
This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.
A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.
Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.
A married couple enjoy engaging in S&M sexual behavior, and the wife, Yuri, asserts, "The ultimate SM play is death." After her husband dies, supposedly accidentally, Yuri is left alone, grieving and self-destructive. Her mental state deteriorates as she watches and masturbates joylessly to the home-made SM videos she made with her husband.
An embittered young man who draws no physical pleasure from sex starts a club for his friends, luring young women into violent rape and torture by charming them over the Internet. Eventually the angry sister of one of the girls takes revenge.
A deranged doctor lives in an abandoned hospital together with his wheelchair-bound daughter. Frustrated by normal women's perceived imperfections, the doctor kidnaps them and subjects them to sadistic tortures to turn them into subservient women for his childlike daughter to play with.
A high-school girl with paranormal abilities becomes the center of a bizarre cult which believes her to be a divine idol. In fact, she's a maniac, prowling the streets with a male slave to rape and murder innocent victims.
Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.