El amanecer de una nueva era en España

A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

A montage of newscasts tracing the events of the "damned war" and the German invasion of 1940.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.

A documentary film that includes footage of past Olympics held in different countries with an particular emphasis on the activities and successes of Japanese athletes and how they are currently (circa 1963) improving themselves.

Mise Éire ("I am Ireland") is a 1912 Irish-language poem by the Irish poet and Republican revolutionary leader Patrick Pearse. In the poem, Pearse personifies Ireland as an old woman whose glory is past and who has been sold by her children. The poem inspired this 1959 film of the same name by George Morrison. Here, Morrison painstakingly assembled historical footage of the events surrounding the 1916 Rising from archives across Europe and deals with key figures and events in Irish Nationalism between the 1890s and the 1910s. The narration is by Liam Budhlaeir and Padraig O'Raghallaigh and the musical score is by Seán Ó Riada.

The life story of Vicente Miguel Carceller (1890-1940), a Spanish editor committed to freedom who, through his weekly magazine La Traca, connected with the common people while maintaining a dangerous pulse with the powerful.

Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

From 1958 to 1989, public service monopolies prevailed in Sweden, and SVT's reporting from Israel and Palestine was unique. Their reporters were constantly onsite in the war-ravaged area, documenting everything from everyday stories to major crises. Archivist Göran Hugo Olsson has compiled these images of the rise of the Israeli state, interspersed with Palestine's freedom struggle, into a monumental event.

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

Newsreel footage from both sides of World War II make a case for convicting Nazi war criminals.

Spain, April 14, 1931. The Second Republic is born. From the beginning, the writer Miguel de Unamuno is considered one of the ethical pillars of the new regime. Five years later, on December 31, 1936, a few months after the outbreak of the Spanish Civil War (1936-39), Unamuno dies at his home in Salamanca, capital of the rebel side, led by General Francisco Franco, and main center of dissemination of its propaganda apparatus.

Featurette about the demise, during the early 1940s, of the once-popular Mr. Moto B-films series that starred Peter Lorre.

The Spanish Civil War (1936-1939) caused a great impression on the lives of most of the American artists of that era, so many movies were made in Hollywood about it. The final defeat of the Spanish Republic left an open wound in the hearts of those who sympathized with its cause. The eventful life of screenwriter Alvah Bessie (1904-1985), one of the Hollywood Ten, serves to analyze this sadness, the tragedy of Spain and its consequences.

The airship Hindenburg, arriving from Europe, was being led to its mooring at Lakehurst, New Jersey when suddenly disaster struck. The hydrogen-filled zeppelin ignited, and was almost instantly transformed into an enormous fireball. In less than a minute, the entire ship had been consumed by flames. The Hindenburg explosion marked the end of the budding airship travel industry.

The life of Paco Martínez Soria (1902-1982), one of the most famous and beloved Spanish actors, both on stage and screen; a comedian, a theatrical producer, an idol for the masses. A celebration of the uncommon gift of making people laugh.

Film by Aleksandr Medvekin to a metonymic Chinese friend, advocating against Mao and the Ussuri River Skirmish.

A close examination of the Whakaari / White Island volcanic eruption of 2019 in which 22 lives were lost, the film viscerally recounts a day when ordinary people were called upon to do extraordinary things, placing this tragic event within the larger context of nature, resilience, and the power of our shared humanity.