Algériennes, Trente ans après

The year 2017 marks the 500th anniversary of one on the most important events in Western civilization: the birth of an idea that continues to shape the life of every American today. In 1517, power was in the hands of the few, thought was controlled by the chosen, and common people lived lives without hope. On October 31 of that year, a penniless monk named Martin Luther sparked the revolution that would change everything. He had no army. In fact, he preached nonviolence so powerfully that — 400 years later — Michael King would change his name to Martin Luther King to show solidarity with the original movement. This movement, the Protestant Reformation, changed Western culture at its core, sparking the drive toward individualism, freedom of religion, women's rights, separation of church and state, and even free public education. Without the Reformation, there would have been no pilgrims, no Puritans, and no America in the way we know it.

A conflicted gay man struggles to teach his younger self about the challenges of adult life. Searching for answers inside stories from his past, he must confront his nature and the man he will become. Documentary meets musical feature in this experimental coming of age drama about power and masculinity in modern day Australia.

"CATANAS POINT - A Surf Documentary" portrays the reality of the sport of surfing in Angola and compares it with what surfing was like in Brazil from the 1980s to the present day.

Performative and expository documentary, which highlights the contrast of experience among transgender men in Brazil. The short film brings five characters - Kenai, Caetano, Augusto, Pietro and Daniel -, each one reflecting a different reality.

The trembling starts in his neck when Markus gets closer to the images that have chased him for 49 years. Now he steers his motor home south, as far away from his past as possible.

Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.

Documentary film about the controversial movement of women seeking ordination in the Roman Catholic Church. More and more women are answering a spiritual calling to take on the vestments of priesthood and seek equality in the religion they love. These daring women have risked banishment, loss of livelihood, and even excommunication to take part in what the Church calls illicit ordinations. The Vatican has vowed to end this threat to the male hierarchy, even forbidding the mere discussion of female priests. The papacy has reached a time of crisis and the controversy over women's role, and their place in the Church, must be addressed if the Vatican is to have any relevance in the 21st century.

Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.

Mohamed Iguerbouchène was born on February 7, 1907 in Aït-Ouchen in Algeria. He left for England in 1923 where he studied music and harmony. Subsequently, he went to Vienna, Austria, to learn piano techniques where he won 1st prize in harmony and piano. Mohamed Iguerbouchen became a composer, he composed four symphonies and several film scores including the famous “Pépé le Moko” (1937) with Jean Gabin. Mohamed Iguerbouchène bowed out on August 21, 1966 following a long illness.

A Documentary about the Lanka Comic Con, history of how it started, and its community.

Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.

Docufiction about Mouloud Feraoun, an author who upholds the great values ​​of the Universal Man. It is in the name of man that Feraoun stands up against injustice. It is in the name of man that he is tormented by war. Feraoun is a solitary creator who suffers to the point of wishing for liberating madness. It is through his work that the portrait of a humble and discreet author, a talented writer and convictions emerges. Most of the time, I let him talk about himself in simple and fair words. I compile his moments of hope, worry, dreams and fears. During all my research, a generous and good Mouloud Feraoun stood out to me who did not hesitate to expose an inhuman and shameful colonial system. His clear and straightforward voice echoes the cry of a people from whom he has never separated.

A film about the close relationship between two brothers. Markus (10) and Lukas (7) live in an old, yellow townhouse in the middle of Oslo. The river runs close to their home. A paradise in the heart of a big city. Here the brothers grow up with their dreams and longings for the future.

Documentary about young people who are dedicated to cleaning windshields in Ciudad Nezahualcóyotl to survive.

Books, apps, coaching sessions: Today, happiness is everywhere. We might think that there is nothing wrong with this common-sense concern. But it’s actually the opposite of social reality. So what lies behind this contemporary obsession with happiness and the billions of euros generated by its industry? Philosophers, sociologists, economists and psychiatrists including Christophe André, Éva Illouz, Martin Seligman and Julia De Funès, confront their point of view and decipher one of the most captivating and worrying phenomena of this early century.

Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.

Since the invention of the automobile, women have distinguished themselves by their daring: the history of women in motor sport.

Algérie 1988-2000 : Autopsie d'une tragédie

Born on March 25, 1840, Gustave Guillaumet discovered Algeria by chance when he was about to embark for Italy. Over the course of his ten or eleven trips and extended stays, he established a familiarity with this space. Traveling through the different regions from north to south, he never ceases to note the differences. He is also the first artist, apart from Delacroix's Women of Algiers, to penetrate into female interiors and reveal the reality, far removed from the harem fantasies that reigned in his time. Fascinated by the country, its deserts and its inhabitants , going so far as to live like the Algerians, Gustave Guillaumet devoted his life and his painting to this country, breaking with the colorful and exotic representations of the time. The painting The Famine in Algeria, restored thanks to exceptional fundraising, was dictated by the events of the years 1865-1868, and well illustrates his knowledge of the country, in a manner that is at once demanding, sensitive and serious.

Raï Story is a musical journey in search of the Raï legend, Cheikha Remitti, in Oran, Algeria, where the Raï musical tradition began. In 1923, the first Raï singers performed behind screens during ceremonies to protect their identity. It was only when the music of singer Cheikha Remitti began to gain popularity among the general public that Raï music was made public, in the 1940s. Cheikha Remitti, who lives between Paris and Oran, is nowhere to be found, the filmmakers then decide to meet producers, musicians, singers like Cheba Dalila or Cheba Djenet, for whom Remitti created a wake. The opportunity, through these unique stories, illustrated with archive images, to retrace the important place of women in this musical tradition and the transformation of Raï music from the 1960s to 2000.