Scrat's Continental Crack-Up: Part 2

Surgeon, Lemuel Gulliver, a softhearted colonial, is washed ashore an island called Sumatra (The Land of Lilliput), after a shipwreck. To his shock, Gulliver sees that the people are in inches what he is in feet. Yet for their six inch height, these little people are not short of problems that arise in the civilized world. A lunatic magician and a slimy minister influenced the Emperor of Lilliput to go to war with the neighboring kingdom of Blefscu.

The girls and their pet monkey create havoc on board a train carrying a traveling Broadway troupe.

When nobody wants to see you, your vision changes. Only when you fall, you seem to be a part of everybody, just for a little while.

In Kohlberger’s second film that could be considered narrative driven, the artist fashions a dystopian fiction from the remnants of cinema’s past. Drawing on excerpts from obscure sci-fi films, The Electric Kiss imagines a world not unlike our own, in which people plug their brains into a kind of neuro-network that connects the whole of human consciousness. As cyberpunk imagery draped in VHS textures alternates with passages of prismatic visual noise (achieved, in trademark style, by feeding footage through self trained machine learning algorithms), a quasi-plot emerges: a man in a VR headset, literally and figuratively lost in space, subjects himself to a mysterious procedure to alleviate the ill effects of this new technology on the mind.

Girl who watches something in glass. Young person who looks into it from the outside to house. Bear that held fishbowl.

A film miniature set to classical music. The Spanish landscape, allusively evoked on screen, is dominated by characteristic elements of Gaudí's architecture. From these elements emerges the arena, with the figure of a fighting bullfighter. The appearance of Carmen introduces a lyrical thread. A passionate love develops between her and the bullfighter. Utterly astounding, iridescent salt animation by Aleksandra Korejwo based around Bizet's Carmen, the third and final film in a trilogy.

A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'

Set before the events of ‘Soul’, 22 refuses to go to Earth, enlisting a gang of 5 new souls in attempt of rebellion. However, 22’s subversive plot leads to a surprising revelation about the meaning of life.

Mavka, a Soul of the Forest, faces an impossible choice between love and her duty as Guardian of the Heart of the Forest when she falls for a human, a talented young musician named Lukas.

From Kuleshov to Berlanga

Perihelion is a sort of animated tone poem. It is a short film that toes the line between narrative and non-narrative, essentially having no real beginning, middle or end.

The Lord of Catan stars Amy Acker and Fran Kranz as a young married couple whose friendly game of Settlers of Catan plunges them into a vortex of madness and despair.

After returning from the circus, Bout-de-Zan starts doing acrobatic tricks.

Bout-de-Zan receives New Year gifts and uses them use it in a rather different way.

One night, Bout-de-Zan finds a wanderer and shares his bed to him. The next morning there is a general panic among the servants...

With darkness encroaching on the island of Mata Nui, the only hope for the survival of the islanders rests with two Matoran villagers, who must find the seventh Toa and deliver to him the fabled Mask of Light.

Bout-de-Zan and his family are around the dinner table, awaiting the visit of his millionaire uncle. But the uncle is not what he was...

Following his parents, Bout-de-Zan participates in a masked ball wearing an elegant gown.

A fishing village falls prey to a nightmare revenge from the sea. Award-winning Yugoslavian animated short film.

Rigadin (Charles Prince) is having raging fits of jealousy.