Bataille pour l'âme du Québec

La détresse au bout du rang

Quais-Blues

Un homme de Parole

L'angoisse du héron

Le déluge du Saguenay : une tragédie humaine

This early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.

Autism spectrum disorder (DSA) - It is not what they have, but what they are, who they are. They are Felix, Anthony, Marc and Brigitte. They are different.

From unlikely origins in northern Québec at the height of the Cold War, Voïvod’s post-apocalyptic sci-fi aesthetic, fuelled by a youthful obsession with their instruments, took them from underground success to sharing dates and tours with Iron Maiden, Rush, and Metallica. Despite adversity, and perhaps by cosmic intervention or just serendipity, Voïvod found guitarist Daniel “Chewy” Mongrain; subsequently, the band re-ignited their engines and laid a course back to Morgöth via numerous live shows around the world, a comeback album in Target Earth, singles, EPs, and finally, the late-career triumph, The Wake. In 2019, Voïvod were recognized by the Canadian Academy of Recording Arts and Sciences with a Juno Award for best hard rock/metal album of the year for The Wake.

Huntingdon Mayor Stéphane Gendron wants to encourage immigration to save his town, which has been struggling ever since large-scale factory closures some years ago. Mayor Gendron’s project is a way in to a discussion about immigration and social and economic integration.

December 6, 1989. Sylvie Gagnon was attending her last day of classes at the University of Montreal's École Polytechnique, when Marc Lépine entered the building. Separating the women from the men, he opened fire on the women students, yelling 'You're all a bunch of feminists.' Sylvie survived, while fourteen other women were murdered. This video makes the connection between the massacre and male violence against women, setting the stage for an exploration of misogyny and sexism.

This short documentary film is a fascinating portrait of urban and rural Quebec in the late 1960s, as the province entered modernity. The collective work produced for the Quebec Ministry of Industry and Commerce calls on several major Quebec figures.

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

This feature-length documentary brings together six of the rare television interviews given by Gilles Groulx between 1966 and 1983. Through these interviews, the filmmaker's ethical and aesthetic concerns are revealed. A striking coherence emerges in his thinking regarding his conception of cinema and the role the filmmaker should play in his culture and society.

In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Part documentary, part drama, this film presents the life and work of Jack Kerouac, an American writer with Québec roots who became one of the most important spokesmen for his generation. Intercut with archival footage, photographs and interviews, this film takes apart the heroic myth and even returns to the childhood of the author whose life and work contributed greatly to the cultural, sexual and social revolution of the 1960s.

The story of the Quebec Mosque Shooting—the first ever mass shooting in a mosque in the West—is known around the world, but the story of the community that survived the attack is all but unknown. The Mosque: A Community's Struggle is an intimate portrait of the resilient Muslim community of Ste-Foy, Québec, as they struggle to survive and shift the narrative of what it means to be a Muslim, one year after the devastating attack that took the lives of six of their members. As the world moves on, this small mosque and its community fights Islamophobia, harassment and hate speech. How will the community heal and how will they stop the rhetoric that threatens to precipitate further violence?

De la rivière à la mer

Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.

Feature-length documentary directed by Mireille Danserau in 1973: in-depth interviews with four young women who explain their complex relationships with men, motherhood and their own femininity, sometimes radically detaching themselves from the standardized and traditional conception of the couple.