Khouth Ma Aâtak Allah (عرس الدايم, خود ما اعطاك الله)

The Oath, a TV film produced by Algerian television in 1963 following the end of the war of independence, tells the story of young Algerians who joined the resistance after the bloody repressions of May 1945 in Constantinois by the French colonial army .

Omar, better known as Omar the Strawberry, is an old-fashioned bandit. Forced to flee to Algeria, he makes a living out of petty crime, accompanied by his famous sidekick Roger. After decades of ruling the French criminal underworld, they must come to terms with their new life together, which until now has been one of debauchery and violence.

Chants d’Automne (Song of Autumn), is a story of daily life on a colonial farm, at the start of the war of liberation in Algeria, describing individual and group behavior in this context. An unthinkable, even dangerous, romantic relationship, born in this context between Catherine, daughter of a settler, and Abdelmalek, son of a blacksmith. Managing his vast property in a feudal manner, Monsieur Marcel whose only ambition is his personal enrichment to the detriment of the community. Everyone fears his authority except his daughter Catherine, a student in France, who returns home during the holidays. She does not stop herself from expressing to him her ideas of justice which go against family and colonial practices. Catherine and Abdelmalek's romance makes relationships increasingly strained, but the call for freedom will be stronger than a woman's love.

A group of Trappist monks reside in the monastery of Tibhirine in Algeria, where they live in harmony with the largely muslim population. When a bloody conflict between Algeria's army and Muslim Jihadi insurgents disrupts the peace, they are forced to consider fleeing the monastery and deserting the villagers they have ministered to. In the face of deadly violence the monks wrestle with their faith and their convictions, eventually deciding to stay and help their neighbours keep the army and the insurgents at bay.

Rachid is a young man who survives in Morroco boxing in clandestine fights in order to save enough money with which to pay a smuggler, and be able to cross the Strait of Gibraltar with his two friends.

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

The Desert Ark (L'Arche du Desert), a variation on Romeo and Juliet set in the Algerian desert. A young couple must face inevitable conflict when their rival families discover their secret love. Taking refuge in a cave, they listen to the sounds of a senseless campaign of violence and murder, which is the culmination of the extremism that has long divided their two communities. Nominated for the Golden Leopard at the 1997 Locarno Film Festival.

At the outbreak of the Second World War, two friends, Mokrane and Menach, abruptly interrupt their studies and return to their remote native Kabylian village of Tagsa. While waiting to be drafted into the French Army they have time to woo. Mokrane falls for beautiful Aazi and soon marries her only to find out that she can bear no child. Menach, on his part, is stongly attracted to Davda, but the latter is already married to a rich merchant...Happiness does not seem to be in store for the two former students...

The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.

Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...

Set in the 1800s among the Berbers of North Africa, this 1997 Algerian feature concerns a noble widow who receives a customary purse of gold coins from the enemy tribe that murdered her husband; the gift puts her in conflict with her kinsmen, who want the money to buy back land taken by the enemy in cahoots with French colonials.

A 19 year-old Swiss woman travels to her birthplace—an isolated, barren Berber settlement in the mountainous desert landscape of Algeria—to find her biological mother, whom she has never met. The perilous journey immerses her in a world virtually untouched by contemporary society, one that still clings to tribal mores and strict religious codes of conduct.

Despite his lack of political convictions, photojournalist Bruno Forestier is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement.

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.

Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.

Algerian youth of the 1960s, straddling traditional South Mediterranean and Western culture and the desire for emancipation of younger generations to find true love.

The story of the post-independence nationalization of the mill of Monsieur Fabre, an old man attached to the land of Algeria where he was born. In this small town in eastern Algeria, there was nothing else to nationalize and they were actively preparing for the arrival of high dignitaries who would elevate the mill to the rank of an industrial flour mill even though it was threatened with ruin. The comedy gets worse when the football player from the local team withdraws for love, the officials' visit is canceled and Mr. Fabre returns.

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

This film retraces the combat journey of Krim Belkacem, one of the leading figures of the Algerian War. When he left the Dellys barracks in October 1945, the day after the Second World War, Krim Belkacem was 23 years old. He is a man revolted by the May massacres in Sétif, Guelma, Kherrata and several other localities in the ravaged country. But it is also and above all a young Algerian who questions the future of Algeria. On March 21, 1947, Krim at the age of 25, he dug up his "Sten" submachine gun, he took action against the boss of his douar who was none other than his cousin. He goes into hiding with six companions. He meshes this entire part of Algeria with a dense and dense network with the sole objective of taking action which will lead to the outbreak of the armed struggle on November 1, 1954.