Orchestrator of Storms: The Fantastique World of Jean Rollin

Probably filmed in 1895, a group of people stand along the platform of a railway station in La Ciotat, waiting for a train. The train pulls up and attendants help passengers off and on. This was not in the Lumière's official catalog, and was likely screened in early 1896. This film is often misidentified on Youtube as "L'Arrivée d’un train à La Ciotat", which is the title of the 1897 remake.

A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.

Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.

Several high-budget epic films became Omar Sharif (1932-2015) a film star. He was an actor, but also a bridge player, a womanizer, a bon vivant; he was a man full of contradictions, who enjoyed card games more than movies; he was an eternal nomad who spent half his life in a hotel.

Legendary Spanish actor and director Jacinto Molina, also known as Paul Naschy, tells the mythical story of Waldemar Daninsky, the cursed werewolf, his most iconic character; a relationship that began in 1968.

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

Ridley Scott's cult film Blade Runner, based on a novel by Philip K. Dick and released in 1982, is one of the most influential science fiction films ever made. Its depiction of Los Angeles in the year 2019 is oppressively prophetic: climate catastrophe, increasing public surveillance, powerful monopolistic corporations, highly evolved artificial intelligence; a fantastic vision of the future world that has become a frightening reality.

Spain, 1960. French student Monique Roumette lives in Madrid on a scholarship. Thanks to a friend who works in the production company Uninci, she has the privilege of attending the shooting of Viridiana, a film directed by Luis Buñuel.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Not so long ago there were monumental movie theaters in the streets and avenues of Madrid, the capital of Spain, authentic cathedrals erected during the golden age of film exhibition, now converted into 3D dinosaurs, whose remains speak of the past and somehow anticipate the future.

France, 1974. The erotic film Emmanuelle, directed by Just Jaeckin, breaks all records for cinema attendance: the story of the creation of a sensual epic that marked a turning point in the struggle for sexual emancipation.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

The pianist Miguel Ángel Lozano embarks on a personal and artistic journey with the purpose of reconstructing the life of his grandmother, Maria Forteza (1910-60), singer and pioneer of Spanish sound films.

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

Legendary film editor and sound designer Walter Murch talks about his work and philosophy. (Based on over 50 hours of Murch's lectures, interviews, and commentaries.)

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Shirley MacLaine was the product of a strict middle-class background from which she and her brother, the future actor Warren Beatty, escaped into the fantasy world of show-biz. Her ballet training and her long-legged pixie charm led to rapid success on Broadway in musical comedy. Inevitably, Hollywood called and by 1955 Shirley was cast in Hitchcock's "The Trouble With Harry." It wasn't too long before the fine dramatic roles also came to her opposite the most popular leading men of the time, like Fred MacMurray, Jack Lemmon, Frank Sinatra, Clint Eastwood and Robert Mitchum.

An audiovisual investigation into the way Spanish cinema has represented its audience throughout history, and a tribute to those who, for over a hundred years, have inhabited the theaters, mutually nurturing their deepest dreams and aspirations.

In 1956, actress and Hollywood star Grace Kelly (1929-82), then at the height of her film career, unexpectedly dropped everything to marry Prince Rainier III of Monaco. Jinx, an American journalist and friend of the future princess, accompanied her on her journey to the wedding and covered the sensational event.

The legendary British-American actress Olivia de Havilland (1916-2020), who conquered Hollywood in the thirties, challenged the film industry when, in 1943, she took on the all-powerful producer Jack Warner in court, forever changing the ruthless working conditions that restricted the essential rights and freedom of artists.