Nuna potosí

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

General Alfredo Ovando Candia was a decisive figure in 20 th century Bolivian history. Through old home movies and institutional footage, Mauricio Ovando goes in search of the figure (and the shadow) of his grandfather, interweaving his history and History while going after an uncomfortable truth.

Nukum (grand-mère)

Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.

Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.

Journal de Bolivie

His buildings are garish, colorful and completely overloaded. Columns and glittering chandeliers everywhere, and way too much of everything. The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.

A documentary centered on the union formed by Bolivian farmers in response to their government's (which was urged by the U.S.) effort eradicate coca crops, and the man who would come to represent them, Evo Morales.

Richesse des autres

'The Devil's Miner' tells the story of 14-year-old Basilio who worships the devil for protection while working in a Bolivian silver mine to support his family.

A day in the life of Esperanza, a Quechua girl who lives in the remote mountains of southwestern Bolivia.

OUT OF DARKNESS: THE MINE WORKERS' STORY is a documentary by Academy Award-winning director Barbara Kopple (HARLAN COUNTY, USA). Historical film footage and photographs are integrated with first-hand accounts of UMWA history and of the Pittston strike of 1989-90.

In 1879, Bolivia lost its access to the sea in a war. When I was a child I did not understand how we had lost it; he thought the Chileans had taken him away in buckets. It is a diary towards interior landscapes, myths, characters and contradictions in a country that relives this loss every day.

Sortir la spiritualité autochtone de la clandestinité

The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her grandfather finds her and tries to convince her to return to her home.

A retrospective about the world of the mineral, following different narrative lines, centered on housing, labor, transport, recreation among others. Original copy is lost, only 14 minutes are available.

This is the history of a young farmer of the Bolivian plateau that becomes the first indigenous president of Bolivia. His childhood consists of shepherding ewes in the small school located in Orinoca where he befriends Reneco and Jamie, as well as his first love Wilma. All of them partake in different stages of each others lives. At the young age of 17 he is transferred to Oruro mining city in the heat of the Bolivian plateau. In order to survive he will have to work as a brick maker, baker, and trompetista in the Imperial band. The poverty and continuous droughts in the Moral field force the family Ayma to migrate towards the cochabambino tropic. In the tropical Chapare, Evo will become the biggest coca grower, soon to be delegated and win in the elections for president in 2005 with 54% votes. Evo Pueblo depicts the reality of our country, accounting for the common man that inhabits Bolivia through his fights, joys, poverty, exclusion and marginamiento.

Mascarades

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

Critical investigation of The World Bank and IMF. Too hot for PBS, but prime time TV everywhere else. Do the World Bank and IMF make the poor even poorer? Are the Bank and IMF democratic institutions? Why do people demonstrate against the Bank and IMF? For the first time, a documentary global investigation of major criticisms of the World Bank and the International Monetary Fund (IMF), two of the most powerful financial institutions in the world. Five country case studies are presented, each concentrating on a different aspect of critics' charges: 1. Bolivia: Debt, Drugs and Democracy 2. Ghana: The Model of Success 3. Brazil: Debt, Damage and Politics 4. Thailand: Dams and Dislocation 5. Philippines: The Debt Fighters. The charges, including those related to structural adjustment, are controversial and provocative. Some go to the heart of the power and policies of these institutions.