Two pairs of sisters humorously share their point of view on prejudices against First Nations.
Stan Hill Jr. is a Haudenosaunee artist living in Miawpukek First Nation Reserve, Conne River, Newfoundland. In “The Bear Inside a Whale,” he and his family discuss racism, identity, religion, creation and art, along with the cultural extinction of the Beothuk of Newfoundland. Throughout the film, we follow Stan carving a bear out of a whale vertebra. And we visit The Rooms (museum) in St. John’s, Newfoundland, where Stan talks about viewing and reclaiming Indigenous artefacts.
A report on the oldest citizen of the GDR at the time, Emma Wagner from Gotha.
A documentary film exploring an untold part of Canada’s past through the eyes of Inuk artist and filmmaker Elisapie Isaac. After facing a moral dilemma, Elisapie sets out to meet others who, like her, are “Hudson Baybies,” the children born of the mixed unions between Indigenous women and Hudson’s Bay Company employees working in trading posts and general stores across the North.
This short documentary revisits Mi’kmaq territory, where an iconic moment was captured in 2013—igniting into a symbol of Indigenous resistance and halting fracking exploration on unceded lands.
For over 50 years, the Kahnawake Mohawks, of Quebec, Canada occupied a 10 square block area in the North Gowanus section of Brooklyn, which became known as Little Caughnawaga. The men, skilled ironworkers, came to New York in search of work and brought their wives, children and often, extended family with them. The story of the Mohawk ironworkers is an important one and is one that has been told and continues to be told through documentaries, newspaper and magazine articles. Yet the stories of Kahnawake Mohawk women who lived in Brooklyn have gone untold.
In preparation for his first major retrospective at the Oklahoma Contemporary in 2025, Hock E Aye Vi Edgar Heap of Birds reveals thoughts, formal approaches, and philosophies toward various works, including the oral history details behind his new wall installation work, Family, that continues his practice of 'primary' and 'ghost' printing.
A group of brave climbers scale Mt. Hotakadake.
The film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social relations around him, the rise of Fascism in Italy, the anti-Arab attitude of European culture. The images, mostly a series of Italian landscape shots, provide a backdrop that highlights the meaning of the text. - Fabrizio Sabidussi
He was and is, without doubt, Jamaica's finest export and in this programme we can reveal for the first time the behind the scenes Bob Marley that only his closest confidantes could know. To understand more about this iconic Jamaican his long time girlfriend and Oscar nominated actress Esther Anderson describes in some detail along with exclusive unpublished home video footage, their life together at home in Jamaica and of their time spent in Hope Road, London. Of all the people who considered themselves closest to him, Esther was probably the person who knew more about the man's innermost thoughts and fears than any; so much was she in tune with him she even helped to write some of his hit records. Also featured is the last interview he would ever give in the UK when journalist Kris Needs questions him about his foot injury (the injury that would eventually kill him) plus many other topics about which Marley held strong views.
A look at the phenomenal success of novel, Fifty Shades of Grey.
Breathing is about the thin space between life and death. 34-year-old Neil Platt plans his own funeral, muses about the meaning of life and the impossibility of terminating a mobile phone contract. With 5 months left to live, and paralyzed from the neck down by Motor Neurone Disease, he ponders how to communicate about his life in a letter for his baby son. How can he anticipate what he might want to know about his father in a future he can only imagine?
Filmed over the course of two years, Our City Dreams is the story of a woman's struggles and successes as an artist in New York City. Told through five women artists, from youngest to oldest, the film features Swoon, Ghada Amer, Kiki Smith, Marina Abramovic, and Nancy Spero. From the studio to the streets of New York, from the canals of Venice to the alleys of Cairo and the beaches of Phuket, Our City Dreams takes us deep into the artists' worlds.
This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.
A portrait of poet Hugh MacDiarmid.
In the early-morning hours of July 23, 2007, in Cheshire, Conn., ex-convicts Steven Hayes and Joshua Komisarjevsky broke into the family home of William Petit, his wife, Jennifer, and their daughters, Michaela, 11, and Hayley, 17. Dr. Petit was beaten and tied to a pole in the basement. The three women were bound in their bedrooms while the men ransacked the house. The brutal ordeal continued throughout the morning, ending with rape, arson and a horrific triple homicide.
TREYF —“unkosher” in Yiddish— is an unorthodox documentary by and about two Jewish lesbians who met and fell in love at a Passover “seder”. With personal narration, real and imagined educational films, and haunting imagery, filmmakers Alisa Lebow and Cynthia Madansky examine the Jewish identity of their upbringings and its impact on their lives.
Eight iconic performers of the first generation of Brazilian transvestite artists go on stage to celebrate their 50th career jubilee. The film depicts the human, personal dimension behind these icons, deconstructing gender stereotypes.
The Cambridge Squatter tells the story of refugees, recently arrived in Brazil who, together with a group of low-income workers, occupy an old abandoned building in downtown São Paulo. Daily dramas, comical situations and different views on the world commingle with the threat of impending eviction.
The film gets into the underworld of crimes involving homophobia, soccer organized fans, and gangs in Sao Paulo city. It shows the team’s work routine of DECRADI, the only unit specialized in this field, as they search for people who have made hate speech into cruel murders.