MONTAÑAS

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Founding a social Muay Thai project in the North Zone of Rio de Janeiro, Mestre BG and his competitors face the adversities of an underfunded project and fight to win their place on the podium. The challenges intensify when one of the students, Raíssa Pacheco, secures a spot to compete in a South American championship in Uruguay.

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Blackout is a short, animated documentary about the 2003 power failure in much of the eastern seaboard of the U.S and Canada for up to 4 days.

What if, instead of bombs, we dropped watermelons? Dreamy and hopeful, this animated short sweeps us up into a colourful world where layers of reality and creativity intersect. Our protagonist navigates through it all seamlessly, and in the process shows us the importance of imagination.

This film is an album of Native womanhood, portraying a proud matriarchal society that for centuries has been pressured to adopt different standards and customs. All of the women featured share a belief in the importance of tradition as a source of strength in the face of change.

North of the 51st parallel, where the dense boreal forest opens onto an arctic islet, the snow-capped peaks of the Uapishka Mountains watch over the Nitassinan of Pessamit. In the heart of winter, a group of Innu and non-Innu adventurers attempt to cross this vast mountain range on snowshoes, completely independently. Faced with the vastness of the territory, the rigors of the northern climate and the impetuous breath of the tundra, they discover each other in a different way, form friendships and unite to better chart their course. Over the kilometres, the adventure reveals a space for meeting, sharing and reconciliation.

When Franziska announces her engagement to her boyfriend, Jayakrishnan, her parents journey from Bavaria to India to meet Jay's mother and father. But coming to terms with their children's plans forces each couple to question their cultural bias.

For half of a millennium, First Nations women have been at the forefront of aboriginal peoples' resistance to cultural assimilation. Today, Native women are still fighting for the survival of their cultures and their peoples--in the rain forest and the city, in the courts and the legislatures, in the Longhouse and the media. Keepers of the Fire profiles Canada's Native 'warrior women' who are protecting and defending their land, their culture and their people in the time-honoured tradition of their foremothers.

On learning that her infant niece, Maya, is dying of a rare disease, newly pregnant Sharon decides she must return home to Buffalo, N.Y., to help out -- but instead, she steps into a hornet's nest of family turmoil. While Maya deteriorates, another crisis erupts when Karen -- Maya's mother -- becomes pregnant with the child of a former gang member in this cinema verité-style portrait of a family on the brink.

In this retrospective tribute, acclaimed filmmaker Jean Walkinshaw hails the 100th anniversary of Mount Rainier National Park in Washington by talking to those who know it best: the scientists, naturalists, mountain climbers and artists whose lives have been touched by the peak's far-reaching shadow. The result is a harmonious blend of archival material and high-definition footage celebrating an icon of the Pacific Northwest.

On the evening of April 30, 1971, a standing room only audience of local literati and feminists packed New York City’s Town Hall to watch Norman Mailer, who had just written “The Prisoner of Sex,” grapple with a panel of passionate feminists. The subject was Women’s Liberation, an issue on which Mailer seemed like the devil’s own advocate.

A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?

Construed in the time of running clouds, a panoramic and another examination of vacant buildings on the British shore (Orford Ness), a deserted place on Earth, place of non-specificity as a base for an open course of events that shape the sense, consisting in interaction between the image and the viewer.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

They're clean, educated, articulate and rarely receive public assistance. But following a divorce, job loss or a long illness, a growing number of middle-class women are forced to live out of their cars. Directed by Michèle Ohayon (Colors Straight Up) and narrated by Jodie Foster, It Was a Wonderful Life chronicles the hardships and triumphs of six "hidden homeless" women as they struggle to survive, one day at a time.

Amateur porn creator Dan Leal searches for commitment, meaning and intimacy in spite of his industry and himself.

Margaret Tait documents her house, studio and garden in Buttquoy, Orkney as the seasons pass. She had lived there from the age of seven and often returned. At the time of filming, the house was about to be taken back by the council - this film is an effective 'goodbye'. Margaret Tait said it 'was meant to define a place, or the feeling of being in one place, with the sense this gives one, not of restriction but of the infinite variations available.'

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

London at its best? This gorgeously photographed portrait of the capital was made by Marion Grierson, sister of the more famous John Grierson, often hailed as the father of documentary film. The film transcends the typical travelogue thanks to the photography of William Shenton and Grierson's poetic approach to editing - which prefigures modern films like the acclaimed From the Sea to the Land Beyond (2012). The film achieved international fame at the time of its original release, yet Marion Grierson is almost completely overshadowed in the history of British documentary film by her brother John.