Rött vin i gröna glas

At the castle of Countess Sybil de Daurice, Raymonda is celebrating her birthday. She is also about to bid farewell to her fiancé, knight Jean de Brienne, who is going on a crusade. At night Raymonda falls asleep and dreams that she is taken to a magical garden where she is reunited with her fiancé. Suddenly, Jean de Brienne disappears and an Arab sheik takes his place and declares his passion for her. When she wakes, Raymonda discovers with horror that her nightmare has become reality… Live performance 24 Jun 2012

Recorded live from the Teatro all Scala, Milan, 2011

A tale of the French Revolution, The Flames of Paris belongs to the pearls of the pure classics of classical dance. This world premiere recording of the production from choreographer Alexei Ratmansky (after Vasily Vaynonenon) and the Bolshoi Ballet, features the standout soloists Natalia Osipova and Ivan Vasiliev. Although set in revolutionary France, The Flames of Paris was intended to serve as an allegory for contemporary events in the Soviet Union. The ballet premiered in 1932 on the anniversary of the October Revolution, and one of its main characters was the population - revolutionary in mood and ready for action. Not surprisingly, The Flames of Paris was quickly included in the ranks of works which were always presented for major anniversaries.The choreographer Alexei Ratmansky has attempted to make maximum use of the preserved fragments of Vasily Vainonen in his new ballet.

Live performance from Kirov, now known as Mariinsky.

In this joyful version, a beautiful mechanical doll interferes with the happiness of two lovers. Original choreography by Marius Petita. New version by Sergei Vikharev. Music by Leo Delibes. Live performance 29 May 2011.

A masterpiece of classical dance, this Nutcracker is a magical version of the score by Tchaikovsky filmed at the Bolshoi Theatre. Recorded live in December 2010.

Breathtaking sets and costumes are designed by Ezio Frigerio and Franca Squarciapino in this exceptional production, recorded at the Palais Garnier in Paris. Direction and choreography in this fully restored version of Marius Petipa's original ballet are by Rudolf Nureyev. Live performance recorded in 1994.

Marius Petipa’s exotic ballet set in legendary India is a story of love, death and vengeful judgement. Natalia Makarova’s sumptuous recreation of Petipa’s choreography, with atmospheric sets by Pier Luigi Samaritini and beautiful costumes by Yolanda Sonnabend, stars Tamara Rojo as the Bayadère (temple dancer) Nikiya, Carlos Acosta as Solor, and Marianela Nuñez as Gamzatti, whose alluring presence challenges Solor’s love for Nikiya. Live performance recorded in 2009.

Carlos Acosta's first venture directing one of ballet's 19th century classics was eagerly anticipated, as was his own starring role in the production (as Basilio), opposite the Argentinian Royal Ballet principal Marianella Nuñez (Kitri). Still built on Petipa's original choreography, Acosta's clear dramatic structure and vivid stage action gave the ‘boy gets girl despite her father’ story a more convincing air than usual, with Don Quixote's parallel obsession with Dulcinea-Kitri coherently woven into the plot.

Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist.

Internationally acclaimed as the greatest male dancer of his generation, Carlos Acosta stars as the rebel slave in the most spectacular of Soviet ballets. Filmed in Paris after triumphant performances in Moscow and London, the Bolshoi's classic production presents the Cuban star at the height of his physical and dramatic powers -- as the greatest Spartacus of our time.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

La Esmeralda is a ballet in three acts and five scenes, inspired by the novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère.

Darcey Bussell and Roberto Bolle star in Frederick Ashton's Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. With origins in Greek mythology, Sylvia was loved by Aminta, abducted by Orion and eventually rescued by Eros. Recorded live at the Royal Opera House, Covent Garden on 1st and 5th December 2005.

Pippi Longstocking, a superhuman girl, extremely strong, redhead with pigtails and freckles, moves to Villa Villekulla, a wooden house located in a small town, together with her monkey, Mr. Nilsson, and her horse, Little Old Man. She soon befriends the children who live next door, Tommy and Annika, with whom she will live many fun adventures. (At Finnish National Opera and Ballet, December 14, 2019.)

Set in the Royal India of the past, La Bayadère is a story of eternal love, mystery, fate, vengeance, and justice. The ballet relates the drama of a temple dancer (bayadère), Nikiya, who is loved by Solor, a noble warrior. She is also loved by the High Brahmin, but does not love him in return, as she does Solor.

The Bolshoi’s grandiose epic Spartacus recounts the story of a Roman slave’s fight for freedom. With its famous Khachaturian score, since the 1960s it has been considered one of the greatest ballets in the Bolshoi repertoire. The choreography by Yuri Grigorovich fills the Bolshoi stage with dynamic scenes of tension and conflict, and gives full expression to the virility and strength for which Russia’s male dancers are renowned.

Coppélia, a mechanical doll made by the toy-maker Dr. Coppelius, is so life-like that some believe she is his daughter. The mistake leads to intrigue and jealousy in love. Directed by Ross MacGibbon, with Leanne Benjamin and Carlos Acosta.

A small-town shoemaker with a knack for spinning yarns, Hans encounters happiness and heartbreak on his road to becoming a full-fledged writer.

Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.