Der Osten unter Strom – Kraftakt mobile Wende

This film undertakes a journey into the amazing parallel universe of East Berlin’s fashion designers and experts in the art of survival. For, in the midst of the constraints of life in the GDR, there existed a fantasy world where it was possible to dance to another tune, be individual and even provocative. The most important characteristic of this bohemian scene was one’s per- sonal style. But this certainly wasn’t something that could be bought off the peg in the GDR. In this parallel universe it was up to you to create your own individual image – with your own hands. This film tells the story of the desires, the passion and the dreams that were tried and tested, lived and performed in the shadow of the Berlin Wall.

In a world divided by the Iron Curtain, East Germany sought to carve its niche in the technological race. Enter "Robotron" - a name that seamlessly blended "robot" and "electronics." This wasn't just a brand; it was an ambitious answer to the West's technological advancements, a testament to the GDR’s drive to match, if not surpass, Western innovation. Drawing inspiration from the corporate giants of the West, the GDR‘s government merged various businesses to form this tech behemoth. With 16 major hubs in Central Germany alone, it was clear: "Robotron" was to be the DDR's technological crown jewel. But what was the Socialist Unity Party (SED), the GDR's ruling party, envisioning with this grand venture? How did "Robotron" navigate the challenges of operating within a socialist planned economy, while striving for global excellence? And as it grew to dominate East Germany's tech landscape, why did it always seem to be one step behind the leading global tech powers?

Discover the meteoric rise of Elon Musk, the man who is transforming the way we think about travel technology through electric cars, the Hyperloop, and revolutionary ideas on how we live through artificial intelligence and colonizing Mars.

In 1987, a small film distributor from Frankfurt/Main brings the film "Dirty Dancing" to West German cinemas against all negative odds. The film becomes the hit of the year, in complete contrast to France, where foreign films have a hard time against the local film landscape.

After the fall of the Berlin Wall, thousands of documents were hastily shredded by the dreaded GDR political police. 16,000 bags filled with six million pieces of paper were found. Thanks to the meticulous work of technology, the destinies of men and women who had been spied on and recorded without their knowledge could be reconstructed.

A sequel to 2006's Who Killed the Electric Car?, director Chris Paine once again looks at electric vehicles. Where in the last film electric cars were dismissed as uneconomical and unreliable, and were under multiple attacks from government, the auto industry, and from energy companies who didn't want them to succeed, this film chronicles, in the light of new changes in technology, the world economy, and the auto industry itself, the race - from both major car companies like Ford and Nissan, and from new rising upstarts like Tesla - to bring a practical consumer EV to market.

Join self confessed petrol-head Guy Martin as he learns about the alternative to the internal combustion engine, Electric. In this TV special, Guy learns about the advantages of electric transport and the different varieties that exist from bicycles, cars and vans up to buses. Guy also learns some of the disadvantages from range anxiety and with the help of the Leicestershire Fire Brigade, how to deal with a fire. The ultimate aim is to produce a record breaking electrified retro road car that is suitable for the Drag strip, with Guy behind the steering wheel.

Dragan Wende has lived in Berlin since the '70s and has seen the city change through the years. His nephew comes to live with him as Dragan remembers the better days he lived as a Yugoslavian immigrant in a divided city.

A film on the surveillance and the control in East Germany also speaks about it - representing extreme and almost unbelievable image of a society which has acquired one super-narrative and developed a system which makes it impossible to even speak about the possibility of anything outside it.

Over the past hundred years, dramatic social upheavals have taken place in the name of Karl Marx's theories. In Western Europe, the student movement of 1968 and the Eurocommunists were inspired. And in recent times, the thinker has experienced a renaissance.

Documents important parts of the East German rock music scene of the late 1980s, from well-established bands like Silly, to underground rock bands like Feeling B. This road movie features young people using music to express their take on life, opposition to their parents' generation and opinions on the social and political climate in East Germany. It includes clips from concerts and interviews with fans and members of various bands, such as Feeling B's Christian Lorenz and Paul Landers, now members of Rammstein.

During the 16th Workers' Festival in Dresden in 1976, a student group of Chilean emigrants paints a mural symbolically depicting the activity of the Unidad Popular during Salvador Allende's reign. Festival guests comment on this work. Music by Chilean music group Jaspampa, formed in Leipzig in 1972.

Docudrama about life, career and breakdown of Erich Mielke, the former Security chief of East Germany.

2024 is likely to be a decisive year for Sahra Wagenknecht's political future. In the arena of power, she might assume a role that she is already very familiar with. In the early years following the fall of the Berlin Wall, Sahra Wagenknecht became the "most famous face" of the PDS, the successor party to the SED. Yet, even as the youngest member of the party's executive board, she was considered a "disruptive factor." She is unyielding and swims against the tide. Sahra Wagenknecht does not distance herself from Stalinism, nor from the Berlin Wall, and wishes for a reformed GDR.

On electric vehicles explores their environmental impact, industry challenges, and global implications, focusing on China's EV dominance and cybersecurity concerns.

In the midst of the transition towards reunification and a market economy, two teams meet for the last time in the final of the FDGB Cup shortly after the 1990 Volkskammer elections: favorites Dynamo Dresden and Polizeisportverein Schwerin. Matthias Hufmann and Benjamin Unger take a look back 30 years later.

Paragraph 175, which made homosexual behavior punishable by law, was abolished in the German Democratic Republic (GDR) in 1968. At that time, heterosexual nuclear families constituted the center of socialist society, and homosexuality was considered a peripheral issue in the GDR. Out in East Berlin —Lesbians & Gays in the GDR tells the impressive-to-absurd personal histories of gay men and lesbians in the GDR, from the post WWII years until the fall of the Berlin Wall.

In 1986, Ross McElwee (Sherman's March) and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world’s most visible symbol of hardline Communism and Cold War lore. They thought they were making a documentary on the community of tourists, soldiers, and West Berliners who lived in the seemingly eternal presence of the graffiti emblazoned eyesore. But in 1989, as the original film neared completion, the Wall came down, and McElwee and Levine returned to Berlin, this time to capture the radically different atmosphere of the reunified city.

Seven directors remember their childhood and youth; to the 50s and 60s in the GDR. They appear to be curious, vulnerable children and teenagers who also want to be cool (even though the word doesn't exist for them yet). They live in well-adjusted or resistant families. Some only in half because their father left for the West. Depending on their family background, they want or should help build the new, better Germany.

Loitz is one of those former GDR towns that still suffer from the effects of German reunification. For a year "Infinite Place" looks behind the gray facade of the seemingly dying town and questions concepts of home and identity through the perspective of its old and new inhabitants. The town’s vacancy and people’s urge for self-realization create a fruitful look into the future.