A Personal Journey with Martin Scorsese Through American Movies

Dive deep into the art of storytelling by examining the defining principles and inner workings of the greatest classic films from the past century.

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Host Jimmy Failla investigates Hollywood's atmosphere of cancel culture, along with accusations of blacklists for espousing the wrong opinions on social issues.

Running for seven weeks from July 2007, each week focused on a different genre, examining British film by genre. Presented by Jessica Stevenson the series featured over 200 exclusive interviews with leading actors and directors including Sir Michael Caine, Sir Anthony Hopkins and Kate Winslet.

Inspiration, power, greed, scandal – a story that was made for the movies. The gripping drama of how Hollywood was built.

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A journey through the world of classic and contemporary cinema.

These blockbusters brought us together and gave us the time of our lives. Meet the actors, directors and industry insiders who made them happen.

A fascinating look at the life of trailblazing Hollywood icon Sara Montiel, widely considered Spain's first international star.

An eight-part series on the history of French cinema from the postwar era to New Wave and beyond. Unearths the stories behind the films’ creation through live and archival interviews with the producers of the films in the series, as well as colleagues, family members, and experts on French cinema. Interlaced throughout is footage from a wealth of classic French films.

A journey through the 1980s sci-fi films, exploring the impact and relevance they had and still hold today, as told by the artists that made them as well as those inspired by their works.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (Released in 2013, edited and abridged, as Trespassing Bergman.)

Web series about film history, movies and filmmaking.

Death by Fame goes behind the scenes to uncover the sinister side of fame and reveal the shocking true stories behind the rise, fall and murder of some of Hollywood's most promising stars.

Each installment focuses on a different era of American movie history, from the invention of the first moving pictures to the revolutionary, cutting-edge films of the 1960s.

A worldwide guided tour of the greatest movies ever made and the story of international cinema through the history of cinematic innovation.

A 1980 documentary series exploring the establishment and development of the Hollywood studios and its impact on 1920s culture.

Six documentaries about Hollywood's darkest scandals with accounts from insiders, project collaborators, and survivors who endured harrowing abuse and struggles

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.

Imagining Indians is a 1992 documentary film produced and directed by Native American filmmaker, Victor Masayesva, Jr.. The documentary attempts to reveal the misrepresentation of Indigenous Native American culture and tradition in Classical Hollywood films by interviews with different Indigenous Native American actors and extras from various tribes throughout the United States. With an all-Indian crew, Victor Masayesva visited tribal communities in Arizona, Montana, New Mexico, South Dakota, Washington and the Amazon to produce this film. Masayesva says, "Coming from a village which became embroiled in the filming of Darkwind, a Hollywood production on the Hopi Reservation, I felt a keen responsibility as a community member, not an individual, to address these impositions on our tribal lives. Even as our communities say no, outsiders are responding to this as a challenge instead of respecting our feelings... I have come to believe that the sacred aspects of our existence which encourages the continuity and vitality of Native peoples are being manipulated by an aesthetic in which money is the most important qualification. This contradicts the values intrinsic to what's sacred and may destroy our substance. I am concerned about a tribal and community future which is reflected in my film and I hope this challenges the viewer to overcome glamorized Hollywood views of the Native American, which obscures the difficult demands of walking the spiritual road of our ancestors."