Prison Break

Four young people have been arrested for crimes they did not commit. When one of them learns that his daughter is in a critical condition because of an incurable heart ailment, he decides to break out of the jail. He is joined by three other prisoners who also decide to break out of jail. Although their motives and backgrounds are different, all of them are innocent and there are reasons why they cannot wait till their release. They have to get out of jail as soon as they can. So they band together and begin to plan their escape in order to accomplish their goals. Bound for Tokyo, they have to overcome frequent challenges for the sake of their families and loved ones.

Searching for his kidnapped daughter, Antonio sets off a series of events affecting scores of people when he maneuvers to be sent to prison in Colombia.

Set up to take the blame for corporate fraud, young Macarena Ferreiro is locked up in a high-security women's prison surrounded by tough, ruthless criminals in this tense, provocative Spanish thriller.

A crime she committed in her youthful past sends Piper Chapman to a women's prison, where she trades her comfortable New York life for one of unexpected camaraderie and conflict in an eccentric group of fellow inmates.

Code of Vengeance is the umbrella title for a series of American television programs, produced by Universal Television, that aired on NBC in 1985 and 1986. Charles Taylor stars as David Dalton, a Vietnam veteran who has become a drifter, travelling across the United States in a camper van with only his dog for company. Dalton gets involved in the personal lives of the people he meets and uses his fighting skills to help them win justice. The Dalton character was created for All That Glitters, a planned spin-off series from Knight Rider, and a backdoor pilot aired as a second-season episode of that series in 1984. The character, originally a suave government agent, was retooled as a lone drifter for a new pilot, which aired as the television movie Code of Vengeance, to surprise ratings success in June 1985. A subsequent series, to be called Dalton, was ordered by NBC for midseason, then production was cancelled after just four episodes were completed. These aired in the summer of 1986 as a television movie titled Dalton: Code of Vengeance II and as a part of a fill-in series called Dalton's Code of Vengeance.

Hairdresser Suus ends up in jail after attempting to murder her husband.

In America at any one time there are over 70,000 children behind bars. Kid Criminals meets children in high-security juvenile prisons who have committed shocking crimes.

A small team of investigators are assembled to track down and capture the most dangerous killers our country has ever seen, all of whom have just escaped from a top-secret prison that's not supposed to exist.

A fictional group of ex-United States Army Special Forces personnel work as soldiers of fortune while on the run from the Army after being branded as war criminals for a "crime they didn't commit."

CNBC original documentary goes behind prison walls to capture the raw experience of crooked CEOs, inside traders, embezzlers and other convicted corporate swindlers who are serving their time. CNBC profiles current and former inmates humbled by a fall from grace and forced to trade a life of wealth and prestige for one controlled by prison guards.

In a small Michigan town where the business of incarceration is the only thriving industry, the McClusky family are the power brokers between the police, criminals, inmates, prison guards and politicians in a city completely dependent on prisons and the prisoners they contain.

Due to a political conspiracy, an innocent man is sent to death row and his only hope is his brother, who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out, from the inside out.

Sol Negro was an Argentine television miniseries that aired on the América TV channel in late 2003. The plot focuses on the story of a young man who is admitted to a neuropsychiatric hospital to evade prison, and revolves around his insertion in the circle of inmates of the hospital and a complicity network to take away his share of a family inheritance.

In a world where heroism is a punishment, Xylo Forbartz, a condemned goddess killer, battles endless hordes of monstrous abominations as part of Penal Hero Unit 9004. Death is no escape, only a cycle of resurrection and relentless combat. But when Xylo encounters a mysterious new goddess, their unlikely alliance sparks a rebellion that could shatter the chains of eternal punishment.

Cobra is an American action-adventure series broadcast in syndication from 1993 to 1994. Starring Michael Dudikoff as former Navy SEAL Robert 'Scandal' Jackson, who joins a secret crime-fighting organization. Despite a action-packed premise, it struggled to find an audience and was canceled after one season.

The story of Amber McCall as she attempts to uncover evidence to exonerate her friend, L.J. Burrows. A low-budget spin-off series of Prison Break made exclusively for mobile phones with each episode being approximately 2 minutes long. Although the story of this mobisode series revolve around the conspiracy that put Lincoln Burrows in jail, the series does not feature any of the actors from the TV series. Additionally, these episodes were not written by the team of writers from the TV series and the TV series does not acknowledge the events that occurred in this spinoff.

An eccentric warden and his staff run a bizarre maximum security prison full of dangerous prisoners.

Filmed over 10 years, this real-life thriller follows a DNA exoneree who, while exposing police corruption, becomes a suspect in a grisly new crime.

Made in Britain is a 1983 British television play written by David Leland, and directed by Alan Clarke, about a 16-year-old racist skinhead named Trevor, and his constant confrontations with authority figures. It was originally broadcast on ITV on 10 July 1983 as the fourth in an untitled series of works by Leland, all loosely based around the British educational system, which subsequently acquired the overall title of Tales Out of School. As with many Alan Clarke works, the director attempts to depict English working-class life, realistically without moralising or complex plots. The play features strong language, violence, racism and an anti-establishment feeling. Cinematographer Chris Menges's use of the Steadicam contributed to the fluid and gritty atmosphere of the play.

Driven by the fact that there are few things more dangerous than a prisoner who has just escaped, and tired of following protocol and resorting to outdated methods of law enforcement, veteran U.S. Marshals Charlie Duchamp and Ray Zancanelli are taking an unorthodox approach to their work: using former fugitives to catch fugitives.