Porridge is a British situation comedy broadcast on BBC1 from 1974 to 1977, running for three series, two Christmas specials and a feature film also titled Porridge. Written by Dick Clement and Ian La Frenais, it stars Ronnie Barker and Richard Beckinsale as two inmates at the fictional HMP Slade in Cumberland. "Doing porridge" is British slang for serving a prison sentence, porridge once being the traditional breakfast in UK prisons. The series was followed by a 1978 sequel, Going Straight, which established that Fletcher would not be going back to prison again. Porridge was voted number seven in a 2004 BBC poll of the 100 greatest British sitcoms.
Inspector Robert Lewis and Sergeant James Hathaway solve the tough cases that the learned inhabitants of Oxford throw at them.
Reverend Granger is assigned as the Vicar of the rural parish of Dibley, but she is not quite what the villagers expected.
University lecturer Robert Bridge becomes involved in a series of supernatural events surrounding medium Alison Mundy.
Highly skilled Detective Inspector Jane Tennison battles to prove herself in a male dominated world.
Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.
Bittersweet comedy drama about the eternal search for the perfect partner.
All Gas and Gaiters is a British television ecclesiastical sitcom which aired on BBC1 from 1966 to 1971. It was written by Pauline Devaney and Edwin Apps, a husband-and-wife team who used the pseudonym of "John Wraith" when writing the pilot. All Gas and Gaiters was also broadcast on BBC Radio from 1971 to 1972.
As Pope Pius XIII hangs between life and death in a coma, charming and sophisticated moderate English aristocrat Sir John Brannox is placed on the papal throne and adopts the name John Paul III. A sequel series to “The Young Pope.”
Silent Witness is a British crime thriller series focusing on a team of forensic pathology experts and their investigations into various crimes.
During the Suez Crisis of 1956, two young clerks at the stuffy Foreign Office in Whitehall display little interest in the decline of the British Empire. To their eyes, it can hardly compete with girls, rock music, and the intrigue of romantic entanglements.
On and off pitch battles of of the fictional Harchester United Football Club.
The daily lives of the men and women at Sun Hill Police Station as they fight crime on the streets of London. From bomb threats to armed robbery and drug raids to the routine demands of policing this ground-breaking series focuses as much on crime as it does on the personal lives of its characters.
A drama about the shifting power in a marriage when the personal and political collide.
Set against the backdrop of the Wars of the Roses, the series is the story of the women caught up in the protracted conflict for the throne of England.
People commit variety of ugly crimes these days. However, they forgive themselves by giving testimony every week. They believe that they can repent just by having faith. But the truth is that they have faith to repeat the sins again and again without remorse. These people atone for their evil deeds just to feel comfortable and carefree. It is not about the victims who are suffering because of them. They say every people are equal before the religions. But it is time to discriminate people who only uses them for their interest. Screening if they are really good people, punishing if they deserve to be punished, and defending justice is needed for modern day religion. A priest with this sense of justice teams up with a detective and a prosecutor. They try to solve the mysterious death of an elderly priest and serve justice.
Scully was a British television drama with some comedy elements set in the city of Liverpool, England, that originated from a BBC Play For Today episode "Scully's New Years Eve". Originally broadcast on Channel Four in 1984, the single series was spread over six half-hour episodes plus a one-hour final episode. It was written by playwright Alan Bleasdale. The drama is notable for featuring many of the Liverpool football club first-team squad of that era. Francis Scully is a teenage boy who has his heart set on gaining a trial match for Liverpool to hopefully fulfil his ambition of playing for the club. Francis, in everyday situations during his waking hours, occasionally "sees" famous Liverpool players such as Kenny Dalglish when they are not really there. These dream-like sequences recur throughout the episodes. The main plotline is the efforts of Scully's school teachers to persuade Scully to appear in the school pantomime which they attempt by promising him a trial with his beloved Liverpool if he will cooperate. When Scully and his friends are not in school making trouble for the teachers and the school caretaker, they are seen roaming the local streets upsetting the neighbours and getting into trouble with the police. Scully sometimes has visions of the school caretaker appearing as a vampire due to the caretaker's nickname being Dracula. These frequent waking dream sequences give the show a somewhat surreal atmosphere.
Is It Legal? is a British television sitcom set in a solicitors office in Hounslow, west London, which ran from 1995 to 1998. It was produced by Hartswood Films and was shown on ITV for Series 1-2 and Channel 4 for Series 3. It was written by Simon Nye, who also wrote other ITV sitcoms such as Men Behaving Badly and Hardware.
The life of German thinker Karl Marx, focusing on his political and economic theories, his romance with Jenny von Westphalen, and his friendship with Friedrich Engels.
GBH was a seven-part British television drama written by Alan Bleasdale shown in the summer of 1991 on Channel 4. The protagonists were Michael Murray, the Militant tendency-supporting Labour leader of a city council in the North of England and Jim Nelson, the headmaster of a school for disturbed children. The series was controversial partly because Murray appeared to be based on Derek Hatton, former Deputy Leader of Liverpool City Council — in an interview in the G.B.H. DVD Bleasdale recounts an accidental meeting with Hatton before the series, who indicates that he has caught wind of Bleasdale's intentions but does not mind as long as the actor playing him is "handsome". In normal parlance, the initials "GBH" refer to the criminal charge of grievous bodily harm - however, the actual intent of the letters is that it is supposed to stand for Great British Holiday.