Kolumbowie

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

In 1950s Spain, the heir to a fashion house romances a beautiful seamstress who works for the company, despite the objections of his family.

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A morally corrupt judge suffers a breakdown and believes that God is speaking directly to him, compelling him onto a path of vigilante justice.

This series presents crimes that stirred the Quebec public. This classic calls upon experts and the victims’ relatives to understand the scope of each drama.

Murder in Paradise recounts the stories of American couples who go on dream vacations that end in violence. Only one of them comes back alive, and it’s never an accident. From a boxing champ found dead in his hotel room, to a vicious pirate attack on a luxury yacht, to a passionate affair that ends in bloodshed, each episode tells how an idyllic trip in paradise turned deadly.

A story about an orphan named Korya who turns out to be the long lost daughter of Noppadara Siwawong, the great-great grandchild of a king. During the journey to be reunited with her mother, the car she was in gets into an accident and the other orphan traveling with her, Payia, uses this chance to steal her identity. Meanwhile, Id, a young man Korya met previously and did not get along with, finds her and takes her to the hospital. When Korya wakes up, she has lost her memory, so Id, for fear of her safety, pretends that she's his soon-to-be fiancée and keeps her close. Will Korya ever recover her memory, and to what lengths will Payia go to keep her secret?

An investigative thriller about a haunted young doctor who is summoned back to her hometown to investigate an epidemic that may be linked to social media - and her own tragic past.

Viewers are taken into places usually closed to the public, from aircraft carriers and the Pentagon to the Betty Ford Center and backstage Las Vegas showrooms. The show first aired on ABC as occasional specials before becoming a regular series on A&E.

Couples TV Show

An animated adaptation of six classical Japanese literature pieces, including No Longer Human (Ningen Shikkaku) and Run, Melos (Hashire, Melos) by Osamu Dazai, Kokoro by Natsume Souseki, Hell Screen (Jigoku Hen) and The Spider's Thread (Kumo no Ito) by Ryunosuke Akutagawa and In the Forest, Under Cherries in Full Bloom (Sakura no Mori no Mankai no Shita) by Ango Sakaguchi.

A particularly vicious serial killer is stalking the Norfolk coast in the vicinity of the Larksoken nuclear power station. The press have branded him 'The Whistler' because witnesses have heard a hymn being whistled in the vicinity of the murders. His trademark is the letter 'L' carved on the forehead of his victims. L for Larksoken? At first, his victims seem to be chosen entirely at random - women in the wrong place at the wrong time - but then two women employed at the nuclear power station are murdered in quick succession...

Laila is married to Ghaith but he is too busy for her. She feels emotionally hollow as a result of his neglect; that is until she meets Gad, a fine artist. Laila takes an interest in him and the two quickly fall in love. Despite her decision to leave her lover, Laila is tormented by moments of remorse and self-doubt. Meanwhile, Gaith unexpectedly goes out of his way to win her back.

Fluke works as a waiter in a posh restaurant. He provides for himself well and is ambitious to boot. Care, his mother who is addicted to gambling, Kang and Namtaan are neighbors of Fluke and are just like real sisters. Lam Pao's is widowed, divorced from her husband. Despite her young age, but she has retained her beauty throughout her life. She is a high society, with many close friends. The triad of love relationships, betrayal and hope begins.

A socially awkward detective who deals better with data than people is assigned to work on a missing persons unit searching for lost souls.

With humour and compassion, Annie et ses hommes  shows us the ups and downs of a modern family, focusing on the emotions and experiences of a woman in her forties. This dramatic comedy is a subtle portrait of a singular woman, Annie, and her clan. It’s a thought-provoking exploration of family life.

Nathalie Lapointe is in her early forties, a single mother of three with a successful career as columnist at a major newspaper. Just as she’s starting to think she might be able to pay more attention to her own needs, she gets terrible news: the cancer from which she recovered two years previously is back. How can she break the news to her kids? How can the family plan for the future with this sword of Damocles hanging over them? Despite the shock, life goes on. Nathalie must cope with evolving circumstances at the paper as well as at home. She wonders if she can allow herself to fall in love with her daughters’ school principal. As for her children, they must deal with their own teenage life challenges, all the while knowing that their mother may soon be gone. Nathalie’s best friend and neighbor is particularly hard-hit by the news: she’s already suffering from her husband’s infidelity and from the absence of her son, who is overseas. Nathalie’s misfortune also has a powerful effect on her three siblings. They must re-think their priorities at a time when all three are facing crucial choices in their emotional and professional lives. For Nathalie’s parents Janine and Gérard, her illness makes no sense. How do you face the very real possibility that your child will die before you?

Marie Lamontagne, a widowed mother of two in her forties, confesses to a murder she didn't commit to protect her daughter. Thrust into brutally unfamiliar and hostile surroundings, she first learns survival, then confronts the biggest challenge of her life: bonding with her fellow inmates and helping them take back control of their lives.

The story of families haunted, despite themselves, by a past that has not died.

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