Sir Len Southward: The Man, His Machines, The Museum

Marepe, an artist from Bahia, produces art with anything he comes across in the town he lives in, Santo Antônio de Jesus. Packs of cigarettes, coconut palms, walls, and memories taken from the streets, go into putting together a personal archeology for this young artist.

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

A documentary about the threat posed to New Zealand's Kaipara Harbour by rapacious commercial fishing and development.

Documentary about the VW Beetle and its origins.

A documentary about the history of settler groups that came to New Zealand from Europe.

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

Olympic Champion, Kiwi Icon, Tongan Leader, Orphan, Mother...winning was just part of the journey.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

A documentary exploring the human-cat love story amidst a movement to eradicate cats in New Zealand.

Focused on the experiences of Manuel "Manolo" Díaz Caballero, who was a local police officer in Malaga for more than 30 years, his memories of those years are the subject of this documentary.

Vintage vehicles on parade in this amateur film record of the longest-running motor event in the world.

Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

Leaky home experts John Gray and Roger Levie uncover the shocking truth about the dreadful and dangerous state of many apartment buildings in New Zealand. Buildings that look sound turn out to be seriously defective, costing millions to fix, and in the worst cases, only fit to be pulled down. The owners who thought they were making a good step on the property ladder, now find themselves faced with an emotional and financial cost that will affect the rest of their lives. How did this building disaster come about and can it be fixed?

#meet_TheMet

Philippe de Montebello, Director of The Metropolitan Museum of Art from 1977 to 2008, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and it's many influences and highlights significant works of art in the collection. It was produced in 1989 by The Metropolitan Museum of Art's Office of Film and Television.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

A video for the Museum of Modern Art #ItemsMoMA screened at the Items Abecedarium. Mixture of original and archive footage.

A portrait of five St. Petersburgians and their connection to The Hermitage.

A manufactured memory.