The Unconditioned Unconcealment

The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.

The Indigenous peoples of northern British Columbia still hunt and fish, using a combination of traditional ways and modern equipment and techniques where appropriate. Lumbering and trapping bring them money and goods. Their traditional arts and crafts, however, remain essentially unchanged. This archival film reflects the social and cultural values and beliefs prevalent at the time of production.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

Since colonial times, the indigenous people of the Andean mountains have ascended to peaks that reach 5,200 meters above sea level. There, they crush gigantic blocks of ice that carry on their backs to sell them later in the fairs of Riobamba and Guaranda. The film shows the living conditions of the communities that live from this activity.

Deep in Mexico’s mushroom-rich forests, two women from indigenous communities have become mycologists. This immersive sci-fi documentary follows their unusual, fungi-driven paths as they seek to reconcile the past and present while reimagining the future for themselves and the changing world they inhabit.

Documentary about the life of three families living in the city of Boa Vista, north of Brazil. Some of them look for a more intense daily life going to parties, work and dealing with family trouble, others want to get back to the tribe. Personal crises and the search for their own identity are aspects that reveal great relevance.

Les sentiers culturels

Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Sean and Adrian, a Two-Spirit couple, are determined to rewrite the rules of Native American culture through their participation in the “Sweetheart Dance.” This celebratory contest is held at powwows across the country, primarily for heterosexual couples … until now.

Somebody’s Daughter focuses on higher-profile MMIW cases, some of which were raised during the Senate Committee on Indian Affairs in December 2018. With historical points of reference, the victims’ and their families’ stories are told through the lens of the legal jurisdictional maze and socio-economic bondage that constricts Indian Country.

An intimate exploration of the circumstances surrounding the incarceration of Native American activist Leonard Peltier, convicted of murder in 1977, with commentary from those involved, including Peltier himself.

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

Ikátena

As a sea nomad, Hook grew up with the ocean as his universe. Now he must make a courageous voyage to salvage the remains of his dying culture

The thunder is warning, "The earth is sick." To cure it, David Kopenawa gathered in Roraima the Yanomami shamans from various regions. With the help of the spirit food, the hallucinogenic yãkoana powder, they will treat the ills caused by cities and white diseases.

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.

Anishinaabe author Drew Hayden Taylor investigates how — and why — Indigenous identity, culture and art are being appropriated by those who are not First Nations.

Three Alaska Native women work to save their endangered language, Kodiak Alutiiq, and ensure the future of their culture while confronting their personal demons. With just 41 fluent Native speakers remaining, mostly Elders, some estimate their language could die out within ten years. The small community travels to a remote Island, where a language immersion experiment unfolds with the remaining fluent Elders. Young camper Sadie, an at-risk 13 year old learner and budding Alutiiq dancer, is inspired and gains strength through her work with the teachers. Yet PTSD and politics loom large as the elders, teachers, and students try to continue the difficult task of language revitalization over the next five years.

L’histoire de la Côte-Nord: une histoire commune